Dein Suchergebnis zum Thema: wind

[Translation/transcription] 1 Albert Studios 4 Albert Street NW1 EUSTON 6507 22 January 1961 Dear Pepi, I’m sending you here two sheets of commentary on my essay about beauty. Continuation to follow. And if I live, it will be a long continuation (if not quite comparable to J. J. Rousseau’s Confessions). I have been in touch with Dr Loeb – two letters from him, and two from me. A re-recording of my statements would be possible. Unfortunately I don’t have any material other than the prospect of the kindly promised expertise. I hope you’re all well. The Ben Uri is currently …
contains hundreds of Jewish jokes, which swirl around like leaves in the autumn wind

Hügelhof, Pirchanger 437, Schwaz 27 July Dear Annerl! It’s infinitely lovely and homely here! Everything’s almost exactly as it was, and the rooms still smell so fresh, it’s almost as though you were staying here and that I need only wait for a ‘Yoo-hoo!’ as you come home from a walk in the woods. I can hear all the familiar noises outside: the scythes, the chickens, the farmers’ children. It’s strange not hearing your children running around in the garden! Their shouts . . . . . . how fantastic to think of them all grown up and back at …
Loox greeted me with wagging tail, buried his cold nose in my hands and tried to wind

Tate glossary definition for St Ives School: Artists associated with the fishing town of St Ives in West Cornwall, which became a centre for modern and abstract developments in British art from the 1940s to the 1960s
We could hear him… wind up the handle of his gramophone… and Jelly Roll Morton

Artist page for Dante Gabriel Rossetti (1828–1882)
Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind

Tate glossary definition for St Ives School: Artists associated with the fishing town of St Ives in West Cornwall, which became a centre for modern and abstract developments in British art from the 1940s to the 1960s
We could hear him… wind up the handle of his gramophone… and Jelly Roll Morton

15 September 1932 Dear Annerl! I’m now sitting here in my brother’s incredible office on the twentieth floor of one of the most beautiful new skyscrapers, the NEWS BUILDING. Two hundred metres from here, out of the window and to the right, stands the CHRYSLER BUILDING, the second tallest building in the world. And not much further to the left stands the EMPIRE STATE. Ten minutes’ walk from the office is the apartment, 2 Beekman Place, and it’s the sort of apartment you would like: plain and simple, a place for only the finest art, and so practical that the …
The wind became cold and wet.

In anticipation of the Alexander Calder’s retrospective at Tate Modern, we take a look at his highly unique artistic career.
general fated course of movement, then abandons them to it: time, sun, heat and wind

11 January 1933 My dearest Annerl! What wonderful Christmas gifts you’ve bestowed on me! And so soon after the complete works of Chekhov for my birthday! What can I say? Clifford might be more capable of finding words to express his joy . . . . . . but Etl? He can only sit before this hoard of wonderful, warm, colourful, intimate, elegant things – all chosen by his Annerl – and attempt to suppress the emotion he feels welling up inside him. For an Indian howl of victory might arouse suspicions, and he can’t do somersaults and cartwheels in …
You become part of the soul of the trees, the earth, the wind – and not just a part

John Rothenstein wrote: All the glass in the roof had been shattered and an icy wind

Tate resource with suggested discussion, research and activity suggestions using Constable’s themes and techniques as a starting point
Willie Doherty Ghost Story (2007) Tate © Willie Doherty Hamish Fulton Wind