Dein Suchergebnis zum Thema: wind

Gloucester, Massachusetts (where he had summered since 1915) with its largely bygone wind-powered

describes how he “depicted the New Mexico landscape as a vast, horizontal void, wind-stripped

Like Jacques Onésime de Bergeret, Lalive de Jully (1725-79) was an influential collector, amateur, and painter in the Parisian art world of the 1750s and 1760s. One of Jean-Baptiste Greuze’s first patrons, Lalive is depicted seated on a chair he had commissioned as part of a suite of furniture à la grecque.
long fingers rest on the strings of the harp, and the ends of strings curl like wind-loosened

Edgar Wind. Oxford, 1971: 45, fig. 132. 1972 Brown, Clifford M.

Go on a MONUMENTAL drawing adventure inspired by the Running Fence artists, the first in our series hosted by Wendy MacNaughton.
contains a tightly rendered sketch, a long map illustrating how the fence would wind

This painting is based on a true account of a shark attack in Havana Harbor in 1749. John Singleton Copley depicts a critical moment in the attempted rescue of 14-year-old Brook Watson.
London and Glasgow, 1937: 67-68. 1938 Wind, Edgar.

The obscure iconography of Dosso’s canvas has caused much speculation. In the past it has been titled simply Scene from a Legend and, more often, Departure of the Argonauts.
A red pennant flutters in the wind near the left edge of the painting.

Composer/producer Emily Wells sees us as the buffalo: frozen before downfall, but still alive—which is why she includes so much breath in her song. Wells, whose work deals with the climate crisis, looks to David Wojnarowicz’s AIDS activism for lessons.
CELESTE HEADLEE: And in your piece, I mean the sound of falling is wind, right?

Composer Daniel Bernard Roumain works with performance poet Lady Caress to respond to this iconic photograph with a combination of music and poetry. In the ebb and flow of his composition, DBR hopes to capture pain, legacy, enduring hope—and the rhythm of the subject’s life.
It felt like you are recreating the movement of wind or water.

In Sand Dipper, jazz violinist Jenny Scheinman creates an abstract and overwhelming world. This music, Scheinman says, sounds how El Greco’s painting looks. And it feels like the question on Laocoön’s face as he looks up for the last time. 
It’s like a bird flitting through something in a pre-hurricane storm of wind and