Dein Suchergebnis zum Thema: wilde westen

‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 14 April [1931]‘, Edward Renouf, recipient: Anny Schey von Koromla, 14 April [1931] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-33/letter-from-edward-renouf-to-anny-schey-von-koromla

Tuesday 14 April My Annerl! It’s been so long since I last heard from you. I can’t wait to get back to Munich, where there’s surely a letter waiting for me. The days here have been pleasant and restorative. We all have very sporty sunburn and were able to do a lot of skiing despite the wet snow. Our longest trip was to the Hochalm (my favourite spot) from where we had the most wonderful view across to the Zugspitze and the many white peaks around it. Only the Plessens and I went on that trip. The Americans have very …
with his wife, becomes animated when he gets the chance to tell anyone about the ‘Wild

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Land art | Tate

https://www.tate.org.uk/art/art-terms/l/land-art

Tate glossary definition for land art: Land art is made directly in the landscape, sculpting it into earthworks or making structures using natural materials found in the landscape such as rocks or twigs
Landscape Landscape is one of the principal types or genres of subject in Western

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Land art | Tate

https://www.tate.org.uk/art/art-terms/land-art

Tate glossary definition for land art: Land art is made directly in the landscape, sculpting it into earthworks or making structures using natural materials found in the landscape such as rocks or twigs
Landscape Landscape is one of the principal types or genres of subject in Western

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How to spin the colour wheel, by Turner, Malevich and more | Tate

https://www.tate.org.uk/art/artists/joseph-mallord-william-turner-558/how-spin-colour-wheel-turner-malevich-and-more

Continuing our summer of colour season on Tate’s blog, we take a quick skip through colour theory, and how some of modern art’s giants – including Turner, Mondrian, Matisse, Klee and Malevich – have put it into practice
the eye’ — probably feel very familiar to you; they’ve been widely absorbed into western

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 9–12 October 1932‘, Edward Renouf, recipient: Anny Schey von Koromla, 9–12 October 1932 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-47/letter-from-edward-renouf-to-anny-schey-von-koromla

New York, 9 October My dearest Annerl! Guess who’s just arrived, fresh from Europe, virtually fresh from our place!? The telephone rings last night; Heinzl goes over, incomprehensible English; he calls me over, incomprehensible German; finally in French: Pommerance! À demain matin, dix heures, American Express Company! So that’s where I’ve been this morning: greeting the beaming schoolboy with a hearty handshake – or should I say greeting the young rascal? For the only schoolboys who are ever this excited and enthusiastic, curious and carefree, so entirely in their element, are either young rascals or schoolboys on holiday. From the …
With the wild screeching of steel wheels on steel tracks, the subway rushed along

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