Dein Suchergebnis zum Thema: man

Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych] by Andrea di Vanni

https://www.nga.gov/artworks/206072-scenes-passion-christ-agony-garden-crucifixion-and-descent-limbo-entire-triptych

This three-part altarpiece by the painter Andrea di Vanni reflects a growing concern among 14th-century artists to historicize the Biblical narrative. To accomplish this, Andrea endeavored to recreate, with the greatest possible accuracy, the events surrounding Christ’s Passion.
A halo encircles the bent head of the man on the middle cross, Jesus, who wears a

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Silvio with the Wounded Dorinda by Louis Vallée

https://www.nga.gov/artworks/80803-silvio-wounded-dorinda

Louis Vallée took his subject from Giovanni Battista Guarini’s late sixteenth-century tragicomedy Il Pastor Fido, a pastoral play that glorified arcadian life and had far-ranging effects on the art and literature of France, Flanders, and the Netherlands. Its extremely intricate plot focuses on the love between the faithful shepherd Mirtillo and the nymph Amarillis, who is betrothed to Silvio by paternal arrangement.
with a short slash across her chest reclines into the arms of an older, bearded man

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Kids West Building Tour: Featured Selections | National Gallery of Art

https://www.nga.gov/visit/tours-guides/audio-tours/kids-west-building-tour-featured-selections

Use your smartphone to explore a wide range of works through the voices of National Gallery of Art curators. Set your own pace by listening to as many stops as you like in the order you choose. Don’t forget to bring your headphones! To listen to information about a work of art, enter the stop number in the box below, select „go“, and press the play button when the stop appears.  
The skeleton represents Death and the man is the Miser.

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Battle of the Sea Gods [left half] by Andrea Mantegna

https://www.nga.gov/artworks/64543-battle-sea-gods-left-half

The engravings of Andrea Mantegna were the most influential prints produced in 15th-century Italy. Motifs from his creations appear in works by every major early Italian printmaker, and it was through Mantegna’s prints that Albrecht Dürer made his first acquaintance with the southern Renaissance.
The man on our left faces us and rides a scale-covered creature.

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