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Portrait of a Lady, Called Elizabeth, Lady Tanfield 1615, British School 17th Century | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/portrait-lady-called-elizabeth-lady

Identification of pigments was carried out with analytical microscopy by Rica Jones and Kate

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The Cholmondeley Ladies c.1600–1610, British School 17th Century | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/cholmondeley-ladies-c1600-1610

pigments was done with analytical microscopy by Rica Jones, Natasha Walker and Kate

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Portrait of an Unknown Man c.1660 by Isaac Fuller | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/portrait-unknown-man-c1660

Identification of pigments was carried out with analytical microscopy by Rica Jones and Kate

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Portrait of Anne Wortley, later Lady Morton c.1620, British School 17th Century | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/portrait-of-anne-wortley-later-lady-morton-c1620-british-school-17th-century

Identification of pigments was undertaken with analytical microscopy by Rica Jones and Kate

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Conserving large-scale painted sculpture | Tate

https://www.tate.org.uk/about-us/projects/conserving-large-scale-painted-sculpture

Call 1968, a major work by British sculptor Philip King, was conserved prior to its display at Tate Britain in 2008.
Tessa Jackson (sculpture conservator) Elina Kampasakali (conservation scientist) Kate

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Portrait of Richard Colman c.1660 by Unknown artist, Britain, Attributed to John Greenhill | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/portrait-of-richard-colman-c1660-by-unknown-artist-britain-attributed-to-john-greenhill

Identification of pigments was undertaken by Kate Stonor with polarised light microscopy

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A Peacock and Other Birds in a Landscape c.1704 or later by Marmaduke Cradock | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/a-peacock-and-other-birds-in-a-landscape-c1704-or-later-by-marmaduke-cradock

Identification of pigments was undertaken by Rica Jones and Kate Stonor with polarised

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A Lady of the Grenville Family and her Son 1640 by Gilbert Jackson | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/a-lady-of-the-grenville-family-and-her-son-1640-by-gilbert-jackson

Identification of pigments was carried out with optical microscopy by Rica Jones and Kate

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The Saltonstall Family c.1640 by David Des Granges | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/the-saltonstall-family-c1640-by-david-des-granges

Identification of pigments was undertaken by Rica Jones and Kate Stonor with polarised

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Elizabeth Panton, later Lady Arundell of Wardour, as Saint Catherine 1689 by Benedetto Gennari | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/elizabeth-panton-later-lady-arundell

Identification of pigments was carried out with analytical microscopy by Rica Jones and Kate

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