Meintest du kalter?
of pigments was carried out with analytical microscopy by Jacqueline Ridge and Kate
of pigments was carried out with analytical microscopy by Jacqueline Ridge and Kate
Identification of pigments was undertaken by Rica Jones and Kate Stonor with polarised
Identification of pigments was undertaken by Rica Jones and Kate Stonor with polarised
Identification of pigments was undertaken with analytical microscopy by Jacqueline Ridge and Kate
John Brett’s The British Channel Seen from the Dorsetshire Cliffs 1871 can be appreciated properly, with dirt and discoloured varnish removed.
Kate Lowry, ‘A Technical Note on Brett’s Paintings’ in John Brett: A Pre-Raphaelite
Identification of pigments was undertaken by Rica Jones and Kate Stonor with polarised
Call 1968, a major work by British sculptor Philip King, was conserved prior to its display at Tate Britain in 2008.
Tessa Jackson (sculpture conservator) Elina Kampasakali (conservation scientist) Kate
Identification of pigments was undertaken with analytical microscopy by Rica Jones and Kate
Identification of pigments was undertaken by Kate Stonor with polarised light microscopy
