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Elizabeth, Countess of Kildare c.1679 by Sir Peter Lely | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/elizabeth-countess-kildare-c1679

Pigments were identified with analytical microscopy by Rica Jones and Kate Stonor

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Lady Anne Pope c.1615 by Robert Peake | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/lady-anne-pope-c1615

in this study was undertaken with analytical microscopy by Jacqueline Ridge and Kate

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Still Life 1699 by Edward Collier | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/still-life-1699

Identification of pigments was done with analytical microscopy by Rica Jones and Kate

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Portrait of William Style of Langley 1636, British School 17th Century | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/portrait-of-william-style-of-langley-1636-british-school-17th-century

of pigments was carried out with analytical microscopy by Jacqueline Ridge and Kate

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Portrait of Robert Colman c.1690, British School 17th Century | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/portrait-of-robert-colman-c1690-british-school-17th-century

Identification of pigments was undertaken by Kate Stonor with polarised light microscopy

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Sir John Drake 1646 by Edward Bower | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/sir-john-drake-1646-by-edward-bower

of pigments was carried out with analytical microscopy by Jacqueline Ridge and Kate

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Sir Thomas Pope, later 3rd Earl of Downe c.1635, British School 17th Century | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/sir-thomas-pope-later-3rd-earl-of-downe-c1635-british-school-17th-century

Identification of pigments was undertaken by Rica Jones and Kate Stonor with polarised

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John Smith, Speaker of the House of Commons c.1707–8 by Godfrey Kneller | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/john-smith-speaker-house-commons-c1707-8

Identification of pigments was carried out with analytical microscopy by Rica Jones and Kate

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Portrait of the Artist’s Second Wife c.1635–40 by William Dobson | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/portrait-artists-second-wife-c1635-40

Identification of pigments was carried out with analytical microscopy by Rica Jones and Kate

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Portrait of a Lady as a Shepherdess c.1670 by Gilbert Soest | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/portrait-lady-shepherdess-c1670

of pigments was carried out with analytical microscopy by Jacqueline Ridge and Kate

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