When Home Won’t Let You Stay: Art and Migration –– Minneapolis Institute of Art https://new.artsmia.org/when-home-wont-let-you-stay-art-and-migration
space for local immigrant and refugee communities to access resources, connect, and have
space for local immigrant and refugee communities to access resources, connect, and have
June 22, 2019 – March 8, 2020 | The Winton Jones Gallery for Prints and Drawings (Gallery 344) | Free Exhibition Stroll the streets of Paris and explore the French countryside in a time before cars clogged the lanes and boulevards. In the late 19th and early 20th centuries, printmakers found inspiration along riverbanks, in narrow alleyways, and down back roads
They observed the lives of the haves and the have-nots.
November 14, 2020 – November 7, 2021 | G218 | Free Exhibition In the male-dominated society of imperial China, most women were physically restricted to domestic spaces. The center of a woman’s life was the bedroom, where she would sit alone or with others, working or pursuing leisurely activities
this exhibition, all drawn from Mia’s outstanding collection of Chinese art, would have
August 20, 2016 – March 19, 2017 | Regis Fountain Court | Free Exhibition Enjoy a rare opportunity to see 14 American quilts from Mia’s collection, dating from the mid-1800s to the mid-1900s. See appliquéd, pieced, and embroidered quilts in a dramatic, ceiling-suspended display in Mia’s grand Regis Fountain Court
Some of these intricately crafted textiles have never been displayed before.
See how the latter may have been created through an artist demonstration.
Artists June 2, 2019 – August 18, 2019 Presented by: About the Exhibition Women have
The exhibitions have covered a wide array of topics, viewpoints, and artistic styles
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October 26, 2024 – October 19, 2025 | Gallery 203 | Free Exhibition The narrative painting genre has been popular in Chinese art since the Han dynasty nearly two thousand years ago. The subjects of these paintings vary widely, from mythology and classic literature to history and political satire
features paintings from Mia’s permanent collection that showcase how Chinese artists have
Ideally, all collaborators would have worked on separate “live” branches of the publication