Accessibility and Inclusion –– Minneapolis Institute of Art https://new.artsmia.org/about/diversity-equity-inclusion/accessibility-and-inclusion
If you have any accessibility issues while visiting Mia, please contact our Visitor
Dein Suchergebnis zum Thema: have
Photographer Dawoud Bey’s iconic career of seeing black America –– Minneapolis Institute of Art https://new.artsmia.org/stories/photographer-dawoud-beys-iconic-career-of-seeing-black-america
And yet, to those who have followed his work and measured it against the best of
From the Divine to the Mortal: Storytelling in Chinese Painting –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/from-the-divine-to-the-mortal-storytelling-in-chinese-painting
October 26, 2024 – October 19, 2025 | Gallery 203 | Free Exhibition The narrative painting genre has been popular in Chinese art since the Han dynasty nearly two thousand years ago. The subjects of these paintings vary widely, from mythology and classic literature to history and political satire
features paintings from Mia’s permanent collection that showcase how Chinese artists have
Félix Bracquemond: Etcher of Birds –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/felix-bracquemond-etcher-of-birds
November 26, 2016 – May 7, 2017 | The Winton Jones Print and Drawing Gallery – Gallery 344 | Free Exhibition Printmaker Félix Bracquemond (1833–1914) ruled the roost in mid-1800s France by reviving interest in etching, a technique made famous by Rembrandt. Bracquemond led the way with his printmaking excellence and innovation, attempting the century’s first color etching and adopting design ideas from Japanese woodcuts, which he is credited with discovering in a Paris shop
More than a dozen bird prints have landed in this exhibition, along with other Bracquemond
Virtual Panel Discussion: From the Feast Table –– Minneapolis Institute of Art https://new.artsmia.org/event/virtual-panel-discussion-from-the-feast-table
If you have never used Zoom before, you will be prompted to download the Zoom app
Redfigure Volute Krater –– Minneapolis Institute of Art https://new.artsmia.org/art-artists/managing-mias-collection/deaccessioning-artworks/redfigure-volute-krater/
Other museums had also purchased objects from Medici that were later found to have
2024 Impact Report: How Mia is inspiring wonder and changing lives –– Minneapolis Institute of Art https://new.artsmia.org/stories/2024-impact-report-how-mia-is-inspiring-wonder-and-changing-lives
The 2024 Impact Report offers an overview of how we have engaged the community over
Mia Is Greening the Museum—That’s Good for Art, Too –– Minneapolis Institute of Art https://new.artsmia.org/hub/sustainability-preservation/mia-greening-museum-good-for-art
Combined, we save an estimated 15 percent in electricity consumption and have significantly
Why so many people claim to be Cherokee—who aren’t—and why that matters –– Minneapolis Institute of Art https://new.artsmia.org/stories/why-so-many-people-claim-to-be-cherokee-who-arent-and-why-that-matters/
And over the decades the growing group of people who believe they have Cherokee roots
Anthony Marchetti traced five of our American period rooms back to their origin. Here’s what he found and what he made in response. –– Minneapolis Institute of Art https://new.artsmia.org/stories/anthony-marchetti-traced-five-of-our-american-period-rooms-back-to-their-origin-heres-what-he-found-and-what-he-made-in-response
seem like time capsules, settings preserved in a museum as though their owners have