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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 28–29 September [1930]‘, Edward Renouf, recipient: Anny Schey von Koromla, 28–29 September [1930] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-15/letter-from-edward-renouf-to-anny-schey-von-koromla

Saturday evening, 28 September Dear Baroness Schey! Your voice on the telephone brought another cheerful sonnet into the world (instead of another arid prose report). In the two days before that I’d started and finished a novella of forty-five pages, so I was tired but in high spirits and feeling fulfilled but also sad and lonely. As I was writing I was completely immersed in my own fictional world, so when I suddenly woke up in the empty house, the real world seemed dreadfully lonely. I wandered about the house like the only boy left alive by the dinosaur in …
It was cold and dark everywhere, inside and out, and I couldn’t find a way out of

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‘‘Text by Else Meidner titled ‘Dialogue with Death’‘, Else Meidner, c.1958‘, Else Meidner, c.1958 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-20062-7-128-1-8/text-by-else-meidner-titled-dialogue-with-death

[Transcription/translation] A DIALOGUE WITH DEATH Death: (Skeleton in top-hat and overcoat walks into my studio) How do you do? Me: (Terrified and trembling, I try to speak but can’t make a sound.) Death: Why such horror, why such frightful fear, when you spend so much time preoccupied with me, when you’ve been drawing me and carrying me around in your thoughts since childhood? I’m flattered that you’ve never forgotten me and I’m almost inclined to believe that you’ve fallen in love with me and wanted to welcome me with… Me: (Interrupting) Get out, Death, get out! Death: Do calm down, …
But to my amazement I find that you’ve recovered and are now quite chipper.

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 16 June 1930‘, Edward Renouf, recipient: Anny Schey von Koromla, 16 June 1930 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-1/letter-from-edward-renouf-to-anny-schey-von-koromla

Schwaz 16 June 1930 Dear Baroness Schey! The car is ready. As I said on the telephone, all’s well here. I’m sorry Beate is showing her family such an unflattering side of herself – that she takes the presence of her siblings as an opportunity to spoil the atmosphere with her unfriendly moods. Since we’ve been alone she’s been neither unpleasant nor unreasonable. I’m stricter than I used to be. On several occasions I’ve had words with her about good manners, amiability in general, attentiveness, gratitude and so on. Although she took these reproaches badly (one could hardly expect otherwise), …
Sincerely yours, Edl PS I hope you’ll be able to read this letter and that you won’t find

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Cubism | Tate

https://www.tate.org.uk/art/art-terms/c/cubism

Tate glossary definition for cubism: A revolutionary new approach to representing reality in art invented by artists Pablo Picasso and Georges Braque in which the artists aimed to bring different views of their subjects together in the same picture
excitement and anxiety generated by the modern city Free Collage Find

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