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‘‘Letter from Erich Kahn to J.P. Hodin‘, Erich Kahn, recipient: Dr J. P. Hodin, 6 August 1958‘, Erich Kahn, recipient: Dr J. P. Hodin, 6 August 1958 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-20062-4-188-3/letter-from-erich-kahn-to-j-p-hodin

[Translation/transcription] 1 Albert Studios 4 Albert Street London NW1 6 August 1958 Dear Hodin, The catalogue is a masterpiece. Many sincere thanks. I’m sending along six copies here. They’ve only just arrived (the first batch for the invitations was rather short, but there are enough here now). I have more and shall keep them here for you (or, if you like, I’ll send you more). I’m sending five further copies of Arts News (and will buy more in the next few days). The portrait you’ve painted of me and everything else you’ve written about me is so fine that I …
Mrs Nahez is threatening me, I must find someone to buy the pictures – easier said

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‘‘Letter from Marie Seton to Ronald Moody, addressed from Chicago‘, Marie Seton, recipient: Ronald Moody, 18 December 1946‘, Marie Seton, recipient: Ronald Moody, 18 December 1946 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-956-1-2-58-5/letter-from-marie-seton-to-ronald-moody-addressed-from-chicago

This letter mainly regards arrangements for Marie Seton’s visit to England. Seton mentions her friend, Marjorie Pilley’s, sighting of Ronald and Helene and gives them the sailing date of the Queen Elizabeth. Seton promises to bring one of Moody’s figures [‚Annie‘] to England and gives a description of Mary Beattie Brady [the Assistant Director of the Harmon Foundation, New York] as ‚an erratic female‘. Seton informs Moody that ‚Wohin‘ and a small head [‚Une Tete‘] are with her and that there is a bad split in ‚Wohin‘. In addition Seton discusses American policy and her personal reactions to changes around …
her preference for working in Europe but worries that Donald will not be able to find

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 15 December 1946‘, Edward Renouf, recipient: Anny Schey von Koromla, 15 December 1946 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-80/letter-from-edward-renouf-to-anny-schey-von-koromla

Calle Gral. Aureliano Rivera 17-B Villa Obregon Distrito Federal Mexico 15 December 1946 My dearest Annerl! How unspeakably happy I was when I got your address from Hanni Lintner and heard that you’re doing well – better even than before the war. It had been so long since I last heard anything from you that I often worried about you. Did you ever receive the two issues of the magazine DYN, where my articles were published? Probably not. You know, when my last two letters went unanswered I was so silly and sensitive, among other things, that I thought maybe …
At some point our paths will surely cross again, and I hope you will find my more

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 11 September [1930]‘, Edward Renouf, recipient: Anny Schey von Koromla, 11 September [1930] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-6/letter-from-edward-renouf-to-anny-schey-von-koromla

11 September Dear Baroness Schey! I’m so glad to hear about your success with the singing teacher, for there’s nothing more beautiful than our duets. And since I’ve been trying my voice and ears here in the mountains I’ve become absolutely convinced of how vital it is (I say this with the agreement of all true artists) that this art shouldn’t be drowned out by the hustle and bustle of the city. I’m told the Berlitz School is outrageously expensive – I wasn’t aware that that advert came from them. But I’ve never actually looked into exactly how much an …
As soon as I come to Munich I’d also like to find a painting tutor with you.

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