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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 9–12 October 1932‘, Edward Renouf, recipient: Anny Schey von Koromla, 9–12 October 1932 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-47/letter-from-edward-renouf-to-anny-schey-von-koromla

New York, 9 October My dearest Annerl! Guess who’s just arrived, fresh from Europe, virtually fresh from our place!? The telephone rings last night; Heinzl goes over, incomprehensible English; he calls me over, incomprehensible German; finally in French: Pommerance! À demain matin, dix heures, American Express Company! So that’s where I’ve been this morning: greeting the beaming schoolboy with a hearty handshake – or should I say greeting the young rascal? For the only schoolboys who are ever this excited and enthusiastic, curious and carefree, so entirely in their element, are either young rascals or schoolboys on holiday. From the …
FEAR, which I’m hoping will be a huge success, even if I haven’t managed anything else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 13–15 July 1935‘, Edward Renouf, recipient: Anny Schey von Koromla, 13–15 July 1935 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-73/letter-from-edward-renouf-to-anny-schey-von-koromla

Waldfrieden, Winchester, New Hampshire 13 July 1935 Dearest Annerl! I think about you all so very much and I’d love to know where you all are and what you’re doing, what plans you’re making, who your friends are. You wrote to me a long time ago (and not at all since) and said you were reading Schleiermacher and that you’d write to me about it. I’d be interested to hear about it because, besides being interested in everything you do, I’ve been thinking about religion myself recently, reading Hauer and Reventlow on the new German faith, Svoboda’s GESTALTEN DES GLAUBENS …
are doing too – Gretl Wiesenthal, Henriette, the Kaulas, the Weiszens or anyone else

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‘‘Correspondence between J.P. Hodin and Ben Nicholson‘, collection owner: Dr J. P. Hodin, recipient: Dr J. P. Hodin, 1953–9‘, collection owner: Dr J. P. Hodin, recipient: Dr J. P. Hodin, 1953–9 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7-146-1/correspondence-between-j-p-hodin-and-ben-nicholson

In these letters Ben Nicholson supplies information on his life and work for Hodin’s monograph and various other articles and reviews. The year date of most letters has been deduced from contextual information.
106 Objects Marc Chagall 2 Objects Oskar Kokoschka 8 Objects Else

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‘‘Material relating to ‘The Psychography of an Artist: A depth-psychological Study of Oskar Kokoschka’‘, collection owner: Dr J. P. Hodin, 1940s–1970s‘, collection owner: Dr J. P. Hodin, 1940s–1970s – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7-105-6/hodin-material-relating-to-the-psychography-of-an-artist-a-depth-psychological-study-of

Contains material relating to the creation of Hodin’s collection of psychographic writings on Oskar Kokoschka. Hodin worked on this book intermittently from 1944-68, and this endeavour would result in a finished collection of essays which were, in Hodin’s own words, an ‚attempt to unite and to evaluate psychologically the „graphic“ elements of expression of a personality.‘ Scattered throughout the hundreds of files on individual artists within his archive, one may find numerous horoscopes and graphological analyses commissioned by Hodin as he saught to penetrate deeper into the ’secrets of the spirit‘ of his subjects. But here was Hodin’s first dedicated …
Psychography of an Artist: A depth-psychological Study of Oskar Kokoschka’ 8 Objects Else

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