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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 27 May 1934‘, Edward Renouf, recipient: Anny Schey von Koromla, 27 May 1934 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-65/letter-from-edward-renouf-to-anny-schey-von-koromla

Saturday evening Dearest Annerl! Your second little note has just arrived, and I’m rushing to reply straight away, if only briefly. First, I’m sending that letter to BÖSKE ANTHEIL, 51 East 55th Street, New York City, USA, back to you so that you can write the name in yourself, since both of the Antheils are themselves conspiracists. They’re prone to find intrigue in everything and to worry themselves about it. As for me, I’ve become the embodiment of nervous ambition, the animus that sets the keys of my typewriter in motion, nothing more. It can’t be denied that I have …
the question simply because I can’t leave my work for long enough to find anyone else

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‘‘Material relating to ‘The Psychography of an Artist: A depth-psychological Study of Oskar Kokoschka’‘, collection owner: Dr J. P. Hodin, 1940s–1970s‘, collection owner: Dr J. P. Hodin, 1940s–1970s – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7-105-6/hodin-material-relating-to-the-psychography-of-an-artist-a-depth-psychological-study-of

Contains material relating to the creation of Hodin’s collection of psychographic writings on Oskar Kokoschka. Hodin worked on this book intermittently from 1944-68, and this endeavour would result in a finished collection of essays which were, in Hodin’s own words, an ‚attempt to unite and to evaluate psychologically the „graphic“ elements of expression of a personality.‘ Scattered throughout the hundreds of files on individual artists within his archive, one may find numerous horoscopes and graphological analyses commissioned by Hodin as he saught to penetrate deeper into the ’secrets of the spirit‘ of his subjects. But here was Hodin’s first dedicated …
Psychography of an Artist: A depth-psychological Study of Oskar Kokoschka’ 8 Objects Else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 16 June 1930‘, Edward Renouf, recipient: Anny Schey von Koromla, 16 June 1930 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-1/letter-from-edward-renouf-to-anny-schey-von-koromla

Schwaz 16 June 1930 Dear Baroness Schey! The car is ready. As I said on the telephone, all’s well here. I’m sorry Beate is showing her family such an unflattering side of herself – that she takes the presence of her siblings as an opportunity to spoil the atmosphere with her unfriendly moods. Since we’ve been alone she’s been neither unpleasant nor unreasonable. I’m stricter than I used to be. On several occasions I’ve had words with her about good manners, amiability in general, attentiveness, gratitude and so on. Although she took these reproaches badly (one could hardly expect otherwise), …
when she’s alone, whereas she flinches and squirms with pain if there’s anyone else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 4–15 December 1932‘, Edward Renouf, recipient: Anny Schey von Koromla, 4–15 December 1932 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-49/letter-from-edward-renouf-to-anny-schey-von-koromla

New York, 4 December 1932 My dearest Annerl! Today I spent a lot of time thinking about how to make our Spanish trip a reality. The hope of taking such a long and unhurried journey through Spain with you is so enticing that I will do everything in my power to make it happen in the spring if at all possible. For the time being I’m working hard, writing more novellas for publication, then I want to start learning Spanish (the Berlitz way), and I’m going to buy myself various books about Spanish history and geography and art. Then, as …
He doesn’t know where else to turn; could I not lend him the rest of my money?

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 13–15 July 1935‘, Edward Renouf, recipient: Anny Schey von Koromla, 13–15 July 1935 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-73/letter-from-edward-renouf-to-anny-schey-von-koromla

Waldfrieden, Winchester, New Hampshire 13 July 1935 Dearest Annerl! I think about you all so very much and I’d love to know where you all are and what you’re doing, what plans you’re making, who your friends are. You wrote to me a long time ago (and not at all since) and said you were reading Schleiermacher and that you’d write to me about it. I’d be interested to hear about it because, besides being interested in everything you do, I’ve been thinking about religion myself recently, reading Hauer and Reventlow on the new German faith, Svoboda’s GESTALTEN DES GLAUBENS …
are doing too – Gretl Wiesenthal, Henriette, the Kaulas, the Weiszens or anyone else

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