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‘‘Letter from Jacques Lipchitz to Pierre Dubaut‘, Jacques Lipchitz, recipient: Pierre-Olivier Dubaut, 19 July 1940‘, Jacques Lipchitz, recipient: Pierre-Olivier Dubaut, 19 July 1940 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-897-1-1-142-40/letter-from-jacques-lipchitz-to-pierre-dubaut

Full translation: ‚My Dear Friend, It made me very happy to receive your letter, I was worried that you were not getting my letters and it was making me sad. I’m now feeling reassured. I’m the same as you, apart from a few exceptions, I’ve not heard about anyone. But this morning I’ve received a letter from Jacques Bucher from Bauchan…[illegible] along with yours, he says that he hasn’t moved and everything at home is in order, which made me happy because of the horse. From Paris, no news, all I know is that my house has not been bombed …
News from anyone else. I’m sending you all my best wishes‘.

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‘‘Oskar Kokoschka‘, collection owner: Dr J. P. Hodin, 1940s–1980s‘, collection owner: Dr J. P. Hodin, 1940s–1980s – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7-105/hodin-oskar-kokoschka

Contains manuscripts, typescripts, notes, photographs, correspondence and source material for J.P. Hodin’s extensive writings on the artist Oskar Kokoschka (1886-1980). Hodin and Kokoschka first met in the early 1930s. The two became close friends and Hodin wrote numerous books and articles and became the leading expert on the life and work of his artist friend.
Psychography of an Artist: A depth-psychological Study of Oskar Kokoschka’ 8 Objects Else

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‘‘Letter from Pierre Dubaut to Jacques Lipchitz‘, Pierre-Olivier Dubaut, recipient: Jacques Lipchitz, 6 April 1934‘, Pierre-Olivier Dubaut, recipient: Jacques Lipchitz, 6 April 1934 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-897-1-1-142-9/letter-from-pierre-dubaut-to-jacques-lipchitz

Full text (in translation): ‚Dear Friend, It’s already been two weeks since I left Paris, I haven’t done any work, I spent entire days resting and I can finally see the results. I’m still not in good shape and I can see time passing while I think of a lot of things without being able to appreciate what’s good here! The tranquility, the wilderness and all the steps in between, the absence of noises and the Metro etc. We are going to bed at 10 pm, it is marvelous! But the sea and nature don?t work with me, I could …
An exhibition by Degas at the Museum of the l’Orangerie, but nothing else.

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 4–15 December 1932‘, Edward Renouf, recipient: Anny Schey von Koromla, 4–15 December 1932 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-49/letter-from-edward-renouf-to-anny-schey-von-koromla

New York, 4 December 1932 My dearest Annerl! Today I spent a lot of time thinking about how to make our Spanish trip a reality. The hope of taking such a long and unhurried journey through Spain with you is so enticing that I will do everything in my power to make it happen in the spring if at all possible. For the time being I’m working hard, writing more novellas for publication, then I want to start learning Spanish (the Berlitz way), and I’m going to buy myself various books about Spanish history and geography and art. Then, as …
He doesn’t know where else to turn; could I not lend him the rest of my money?

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