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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 31 March 1931‘, Edward Renouf, recipient: Anny Schey von Koromla, 31 March 1931 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-25/letter-from-edward-renouf-to-anny-schey-von-koromla

Bastei 31 March 1931 Dear Annerl! Must I tame my impatience? I’m very aware that you’re not reachable by telephone and that I can’t spend every moment waiting for the side door to open – and yet it’s some comfort to know that you’re in the place that’s best for you – that you’re now [illegible] dozing in the sunshine, content in the sunshine. Hopefully the postman will have brought a letter from you this evening. I haven’t been home since five o’clock. The American came to take me into town today so I could help him with his German …
First, a single, all-encompassing idea upon which to build everything else.

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‘‘Oskar Kokoschka‘, collection owner: Dr J. P. Hodin, 1940s–1980s‘, collection owner: Dr J. P. Hodin, 1940s–1980s – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7-105/hodin-oskar-kokoschka

Contains manuscripts, typescripts, notes, photographs, correspondence and source material for J.P. Hodin’s extensive writings on the artist Oskar Kokoschka (1886-1980). Hodin and Kokoschka first met in the early 1930s. The two became close friends and Hodin wrote numerous books and articles and became the leading expert on the life and work of his artist friend.
Psychography of an Artist: A depth-psychological Study of Oskar Kokoschka’ 8 Objects Else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 8–9 [April 1931]‘, Edward Renouf, recipient: Anny Schey von Koromla, 8–9 [April 1931] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-30/letter-from-edward-renouf-to-anny-schey-von-koromla

Wednesday 8th My Annerl! Having had to wait impatiently for a couple of days, I was glad and relieved to receive your lovely little letter – I hope you’re feeling better! And you’ve already been in the sea and decorated your room with flowers! What the sleepless nights are saying to you are the words of evil demons which, like the nights themselves, consist of nothing but shadows and fail to mention the far greater truth of the sun and the flowers. As truly as the demons in the night want to rise up and torment you, they are just …
the hands of my blood relatives, and far more closely than the hands of anyone else

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‘‘Nína Tryggvadóttir‘, collection owner: Dr J. P. Hodin, 1958–74‘, collection owner: Dr J. P. Hodin, 1958–74 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7-186/hodin-nina-tryggvadottir

Contains material relating to J.P. Hodin’s writings on the Icelandic artist Nina Tryggvadottir (1913-68). There is a typescript of Hodin’s article titled ‚Nina Tryggvadottir‘ (published in ‚Art News‘); two brief letters from Tryggvadottir with a completed artist questionnaire; photographs of works; a press cutting from ‚The Star‘ and a number of exhibition catalogues. There are also two press cuttings relating to the unveiling of a monument in memory of Nina Tryggvadottir with a transcript of a speech given by Al Copley on the occasion and a copy of ‚The American Scandinavian Review‘ featuring an article on the artist.
106 Objects Marc Chagall 2 Objects Oskar Kokoschka 8 Objects Else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 16 June 1930‘, Edward Renouf, recipient: Anny Schey von Koromla, 16 June 1930 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-1/letter-from-edward-renouf-to-anny-schey-von-koromla

Schwaz 16 June 1930 Dear Baroness Schey! The car is ready. As I said on the telephone, all’s well here. I’m sorry Beate is showing her family such an unflattering side of herself – that she takes the presence of her siblings as an opportunity to spoil the atmosphere with her unfriendly moods. Since we’ve been alone she’s been neither unpleasant nor unreasonable. I’m stricter than I used to be. On several occasions I’ve had words with her about good manners, amiability in general, attentiveness, gratitude and so on. Although she took these reproaches badly (one could hardly expect otherwise), …
when she’s alone, whereas she flinches and squirms with pain if there’s anyone else

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