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‘‘Letter from Pierre Dubaut to Jacques Lipchitz‘, Pierre-Olivier Dubaut, recipient: Jacques Lipchitz, 6 April 1934‘, Pierre-Olivier Dubaut, recipient: Jacques Lipchitz, 6 April 1934 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-897-1-1-142-9/letter-from-pierre-dubaut-to-jacques-lipchitz

Full text (in translation): ‚Dear Friend, It’s already been two weeks since I left Paris, I haven’t done any work, I spent entire days resting and I can finally see the results. I’m still not in good shape and I can see time passing while I think of a lot of things without being able to appreciate what’s good here! The tranquility, the wilderness and all the steps in between, the absence of noises and the Metro etc. We are going to bed at 10 pm, it is marvelous! But the sea and nature don?t work with me, I could …
An exhibition by Degas at the Museum of the l’Orangerie, but nothing else.

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‘‘Oskar Kokoschka‘, collection owner: Dr J. P. Hodin, 1940s–1980s‘, collection owner: Dr J. P. Hodin, 1940s–1980s – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7-105/hodin-oskar-kokoschka

Contains manuscripts, typescripts, notes, photographs, correspondence and source material for J.P. Hodin’s extensive writings on the artist Oskar Kokoschka (1886-1980). Hodin and Kokoschka first met in the early 1930s. The two became close friends and Hodin wrote numerous books and articles and became the leading expert on the life and work of his artist friend.
Psychography of an Artist: A depth-psychological Study of Oskar Kokoschka’ 8 Objects Else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 16 June 1930‘, Edward Renouf, recipient: Anny Schey von Koromla, 16 June 1930 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-1/letter-from-edward-renouf-to-anny-schey-von-koromla

Schwaz 16 June 1930 Dear Baroness Schey! The car is ready. As I said on the telephone, all’s well here. I’m sorry Beate is showing her family such an unflattering side of herself – that she takes the presence of her siblings as an opportunity to spoil the atmosphere with her unfriendly moods. Since we’ve been alone she’s been neither unpleasant nor unreasonable. I’m stricter than I used to be. On several occasions I’ve had words with her about good manners, amiability in general, attentiveness, gratitude and so on. Although she took these reproaches badly (one could hardly expect otherwise), …
when she’s alone, whereas she flinches and squirms with pain if there’s anyone else

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‘‘Working papers relating to artistic, cultural and historic figures‘, collection owner: Dr J. P. Hodin, 1913–90‘, collection owner: Dr J. P. Hodin, 1913–90 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7/hodin-working-papers-relating-to-artistic-cultural-and-historic-figures?page=6

These files contain notes, correspondence, manuscripts and typescripts and source materials for J.P. Hodin’s books, articles and reviews on artists and cultural figures.
106 Objects Marc Chagall 2 Objects Oskar Kokoschka 8 Objects Else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 31 March 1931‘, Edward Renouf, recipient: Anny Schey von Koromla, 31 March 1931 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-25/letter-from-edward-renouf-to-anny-schey-von-koromla

Bastei 31 March 1931 Dear Annerl! Must I tame my impatience? I’m very aware that you’re not reachable by telephone and that I can’t spend every moment waiting for the side door to open – and yet it’s some comfort to know that you’re in the place that’s best for you – that you’re now [illegible] dozing in the sunshine, content in the sunshine. Hopefully the postman will have brought a letter from you this evening. I haven’t been home since five o’clock. The American came to take me into town today so I could help him with his German …
First, a single, all-encompassing idea upon which to build everything else.

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‘‘Letter from Jacques Lipchitz to Pierre Dubaut‘, Jacques Lipchitz, recipient: Pierre-Olivier Dubaut, 19 July 1940‘, Jacques Lipchitz, recipient: Pierre-Olivier Dubaut, 19 July 1940 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-897-1-1-142-40/letter-from-jacques-lipchitz-to-pierre-dubaut

Full translation: ‚My Dear Friend, It made me very happy to receive your letter, I was worried that you were not getting my letters and it was making me sad. I’m now feeling reassured. I’m the same as you, apart from a few exceptions, I’ve not heard about anyone. But this morning I’ve received a letter from Jacques Bucher from Bauchan…[illegible] along with yours, he says that he hasn’t moved and everything at home is in order, which made me happy because of the horse. From Paris, no news, all I know is that my house has not been bombed …
News from anyone else. I’m sending you all my best wishes‘.

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 8–9 [April 1931]‘, Edward Renouf, recipient: Anny Schey von Koromla, 8–9 [April 1931] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-30/letter-from-edward-renouf-to-anny-schey-von-koromla

Wednesday 8th My Annerl! Having had to wait impatiently for a couple of days, I was glad and relieved to receive your lovely little letter – I hope you’re feeling better! And you’ve already been in the sea and decorated your room with flowers! What the sleepless nights are saying to you are the words of evil demons which, like the nights themselves, consist of nothing but shadows and fail to mention the far greater truth of the sun and the flowers. As truly as the demons in the night want to rise up and torment you, they are just …
the hands of my blood relatives, and far more closely than the hands of anyone else

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