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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 16 June 1930‘, Edward Renouf, recipient: Anny Schey von Koromla, 16 June 1930 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-1/letter-from-edward-renouf-to-anny-schey-von-koromla

Schwaz 16 June 1930 Dear Baroness Schey! The car is ready. As I said on the telephone, all’s well here. I’m sorry Beate is showing her family such an unflattering side of herself – that she takes the presence of her siblings as an opportunity to spoil the atmosphere with her unfriendly moods. Since we’ve been alone she’s been neither unpleasant nor unreasonable. I’m stricter than I used to be. On several occasions I’ve had words with her about good manners, amiability in general, attentiveness, gratitude and so on. Although she took these reproaches badly (one could hardly expect otherwise), …
flinches and squirms with pain if there’s anyone else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 13–15 July 1935‘, Edward Renouf, recipient: Anny Schey von Koromla, 13–15 July 1935 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-73/letter-from-edward-renouf-to-anny-schey-von-koromla

Waldfrieden, Winchester, New Hampshire 13 July 1935 Dearest Annerl! I think about you all so very much and I’d love to know where you all are and what you’re doing, what plans you’re making, who your friends are. You wrote to me a long time ago (and not at all since) and said you were reading Schleiermacher and that you’d write to me about it. I’d be interested to hear about it because, besides being interested in everything you do, I’ve been thinking about religion myself recently, reading Hauer and Reventlow on the new German faith, Svoboda’s GESTALTEN DES GLAUBENS …
Wiesenthal, Henriette, the Kaulas, the Weiszens or anyone else

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‘‘Letter from Jacques Lipchitz to Pierre Dubaut‘, Jacques Lipchitz, recipient: Pierre-Olivier Dubaut, 31 October 1939‘, Jacques Lipchitz, recipient: Pierre-Olivier Dubaut, 31 October 1939 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-897-1-1-142-32/letter-from-jacques-lipchitz-to-pierre-dubaut

Full text (in translation): ‚Dear Friend, I was a little worried about your lack of news, but I didn’t want to interrogate you for the fear of hearing about some terrible illness. Your letter arrives at the right time to calm my mind. I can also see that we will struggle to make you a perfect farmer. I can also see that your comments about the place and its climate (‚cold‘ and ‚humid‘ two words that we can see repetitively in your letter) isn’t enticing enough to take pleasure there. Perhaps St.Paul Venee Caignes would suit you better but as …
What else could I have done?

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 27 May 1934‘, Edward Renouf, recipient: Anny Schey von Koromla, 27 May 1934 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-65/letter-from-edward-renouf-to-anny-schey-von-koromla

Saturday evening Dearest Annerl! Your second little note has just arrived, and I’m rushing to reply straight away, if only briefly. First, I’m sending that letter to BÖSKE ANTHEIL, 51 East 55th Street, New York City, USA, back to you so that you can write the name in yourself, since both of the Antheils are themselves conspiracists. They’re prone to find intrigue in everything and to worry themselves about it. As for me, I’ve become the embodiment of nervous ambition, the animus that sets the keys of my typewriter in motion, nothing more. It can’t be denied that I have …
can’t leave my work for long enough to find anyone else

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‘‘Material relating to ‘The Psychography of an Artist: A depth-psychological Study of Oskar Kokoschka’‘, collection owner: Dr J. P. Hodin, 1940s–1970s‘, collection owner: Dr J. P. Hodin, 1940s–1970s – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7-105-6/hodin-material-relating-to-the-psychography-of-an-artist-a-depth-psychological-study-of

Contains material relating to the creation of Hodin’s collection of psychographic writings on Oskar Kokoschka. Hodin worked on this book intermittently from 1944-68, and this endeavour would result in a finished collection of essays which were, in Hodin’s own words, an ‚attempt to unite and to evaluate psychologically the „graphic“ elements of expression of a personality.‘ Scattered throughout the hundreds of files on individual artists within his archive, one may find numerous horoscopes and graphological analyses commissioned by Hodin as he saught to penetrate deeper into the ’secrets of the spirit‘ of his subjects. But here was Hodin’s first dedicated …
depth-psychological Study of Oskar Kokoschka’ 8 Objects Else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 9–12 October 1932‘, Edward Renouf, recipient: Anny Schey von Koromla, 9–12 October 1932 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-47/letter-from-edward-renouf-to-anny-schey-von-koromla

New York, 9 October My dearest Annerl! Guess who’s just arrived, fresh from Europe, virtually fresh from our place!? The telephone rings last night; Heinzl goes over, incomprehensible English; he calls me over, incomprehensible German; finally in French: Pommerance! À demain matin, dix heures, American Express Company! So that’s where I’ve been this morning: greeting the beaming schoolboy with a hearty handshake – or should I say greeting the young rascal? For the only schoolboys who are ever this excited and enthusiastic, curious and carefree, so entirely in their element, are either young rascals or schoolboys on holiday. From the …
huge success, even if I haven’t managed anything else

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