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Lara Downes and “Tomorrow I May Be Far Away” | National Gallery of Art

https://www.nga.gov/stories/sound-thoughts-art/lara-downes-and-tomorrow-i-may-be-far-away

For classical pianist and activist Lara Downes, Romare Bearden’s collage is a puzzle full of questions and unfinished business. In response, she brings together different musical sources, overlaying sounds to create both harmony and tension.
But if we put the train together in it, it may be about being somewhere else.

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Portrait of Diego de Guevara (?) by Michel Sittow

https://www.nga.gov/artworks/53-portrait-diego-de-guevara

Michel Sittow, a northern painter who was born in Estonia on the Baltic Sea but apprenticed in Bruges, was an acclaimed portraitist at the Spanish court. After Queen Isabella’s death in 1504, his peripatetic career took him to several northern European centers, including Burgundy, where he probably painted this portrait.
Harmondsworth, 1969: 142, fig. 137. 1971 Sass, Else Kai.

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Rafiq Bhatia and James Turrell’s “New Light” | National Gallery of Art

https://www.nga.gov/stories/sound-thoughts-art/rafiq-bhatia-and-james-turrells-new-light

Musician Rafiq Bhatia feels compelled to capture his improvisations—fleeting moments of sound—in recordings. Like sound, light is transient. But James Turrell’s works, which inspired Bhatia’s composition, contain and present light, allowing us to forge a deeper relationship with an ephemeral substance.
But above all else, it is this recontextualization of a medium or a substance being

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Dom Flemons and Marc Chagall’s “Orphée” | National Gallery of Art

https://www.nga.gov/stories/sound-thoughts-art/dom-flemons-and-marc-chagalls-orphee

Orphée depicts many tragedies, but songwriter Dom Flemons finds the joy in it: it resolves in the beautiful scene of two lovers embracing. Flemons pairs it with the tranquil Blue Butterfly. The instrumental song helps the emotional weight sink in. 
we might have done two or three takes on it, and then we moved on to something else

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