Meintest du essen?
Artist Christoforos Pavlakis reflects on his experience of shielding for months in lockdown as a neuro-atypical person.
I’ve spent as much time between these four walls as everywhere else during the first
Artist Christoforos Pavlakis reflects on his experience of shielding for months in lockdown as a neuro-atypical person.
I’ve spent as much time between these four walls as everywhere else during the first
I am a playwright, director and devisor working across the UK. I make shows for many different ages, but there is normally no upper limit.
audience and an attempt to make the theatre as pleasurable and exciting as anything else
I am a playwright, director and devisor working across the UK. I make shows for many different ages, but there is normally no upper limit.
audience and an attempt to make the theatre as pleasurable and exciting as anything else
Emily Nicholl reflects on a year of Jerwood Fellowship looking at performances for children with additional support needs, and her thinking around our relationships to landscape. Part 1 of 2.
Wondering what else makes choreographies other than creating for visual interest
Jerwood Fellow Claire Willougby talks about ‚resetting the decks‘ and how doing this has helped her develop a new performance idea for disabled children.
I worry that people’s hunger for the project will wane, or that someone else will
Emily Nicholl reflects on a year of Jerwood Fellowship looking at performances for children with additional support needs, and her thinking around our relationships to landscape. Part 1 of 2.
Wondering what else makes choreographies other than creating for visual interest
Jerwood Fellow Claire Willougby talks about ‚resetting the decks‘ and how doing this has helped her develop a new performance idea for disabled children.
I worry that people’s hunger for the project will wane, or that someone else will
