‘Photographs of Breconshire‘, collection owner: John Piper, [c.1930s–1980s] – part of the digitised collection of the Tate Archive
Archive Items Photographs taken by John Piper Photographs of places, Wales
‘Designs and sketches‘, collection owner: Alan L. Durst, 1919–60 – part of the digitised collection of the Tate Archive
October 1957 View by appointment Design for font and cover, Llandaff Cathedral, Wales
Artist page for Ebenezer Newman Downard (active 1849–1889)
Ebenezer Newman Downard active 1849–1889 A Mountain Path at Capel Curig, Wales
This series contains subject files relating to Moody’s personal and domestic life and his professional life. They include files relating to his time in France and subsequent repatriation as well as his work as a sculptor, writer and dentist.
Ronald Moody to Professor A L Cochrane of the Epidemiological Research Unit (South Wales
‘Photographs of Montgomery‘, collection owner: John Piper, [c.1930s–1980s] – part of the digitised collection of the Tate Archive
Archive Items Photographs taken by John Piper Photographs of places, Wales
‘Photographs of Glamorgan‘, collection owner: John Piper, [c.1930s–1980s] – part of the digitised collection of the Tate Archive
Archive Items Photographs taken by John Piper Photographs of places, Wales
This sub-series contains subject files relating to Ronald Moody’s professional life, including his involvement in Festac ’77 and his work on his ‚Savacou‘ sculpture. There are also files relating to Moody’s broadcasts for the BBC and his other writing activities (including ‚Amadu’s Bundle‘), as well as a file relating to his work as a dentist prior to pursuing an artistic career full-time.
Ronald Moody to Professor A L Cochrane of the Epidemiological Research Unit (South Wales
‘Photographs of Denbighshire‘, collection owner: John Piper, [c.1930s–1980s] – part of the digitised collection of the Tate Archive
Archive Items Photographs taken by John Piper Photographs of places, Wales
‘Afternoon in Bangor‘, Martin Bloch, 1952–4
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Alan Durst (1883-1970) was born in Alverstoke, Hampshire, and educated at Marlborough College. He then served in the Royal Marines until 1913, when he began to learn to carve ivory at the London County Council Central School. His interest in carving led him to Chartres where he became enamoured of stone. But the First World War intervened, and for five years he served at sea, and on demobilization became curator of the Watts Museum at Compton, Surrey. In 1920, he returned to London and the Central School, carving in stone and wood, particularly for architectural and decorative purposes. He exhibited …
October 1957 View by appointment Design for font and cover, Llandaff Cathedral, Wales
