Dein Suchergebnis zum Thema: Meer

‘Swanage‘, Paul Nash, c.1936
1940 The Messerschmitt in Windsor Great Park Paul Nash 1940 Totes Meer

‘Behind the Inn‘, Paul Nash, 1919–22
c.1933–7 Landscape from a Dream Paul Nash 1936–8 Totes Meer (Dead Sea

‘Pillar and Moon‘, Paul Nash, 1932–42
Snow Paul Nash 1939 Landscape from a Dream Paul Nash 1936–8 Totes Meer

‘Wittenham Clumps‘, Paul Nash, c.1943–4
Moon Paul Nash 1932–42 Landscape from a Dream Paul Nash 1936–8 Totes Meer

‘Month of March‘, Paul Nash, 1929
Moon Paul Nash 1932–42 Landscape from a Dream Paul Nash 1936–8 Totes Meer

‘Landscape from a Dream‘, Paul Nash, 1936–8
in the Snow Paul Nash 1939 Pillar and Moon Paul Nash 1932–42 Totes Meer

‘Equivalents for the Megaliths‘, Paul Nash, 1935 on display at Tate Britain.
Moon Paul Nash 1932–42 Landscape from a Dream Paul Nash 1936–8 Totes Meer

Artist page for Vanessa Winship (born 1960)
Winship’s books include Schwarzes Meer (2007), Sweet Nothings (2008) and She Dances

A major research project aiming to provide detailed catalogue entries for over 37,000 works on paper by J.M.W. Turner in Tate’s collection.
Jacklin, Assistant Curator Matthew Imms, Editor and Cataloguer Quirine van der Meer

Paul Nash was preoccupied with his own mortality from childhood. But being posted as official artist to both world wars inspired him to some of his greatest work, now exhibited at Tate Liverpool. By Simon Grant
In the most dramatic, Totes Meer [Dead Sea], which was pictorially and thematically