‘The Landing at Dieppe, 19th August 1942‘, Richard Eurich, 1942–3 | Tate https://www.tate.org.uk/art/artworks/eurich-the-landing-at-dieppe-19th-august-1942-n05691
Eurich 1941 Survivors from a Torpedoed Ship Richard Eurich 1942 Totes Meer
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Eurich 1941 Survivors from a Torpedoed Ship Richard Eurich 1942 Totes Meer
‘Swanage‘, Paul Nash, c.1936
1940 The Messerschmitt in Windsor Great Park Paul Nash 1940 Totes Meer
‘Behind the Inn‘, Paul Nash, 1919–22
c.1933–7 Landscape from a Dream Paul Nash 1936–8 Totes Meer (Dead Sea
‘Pillar and Moon‘, Paul Nash, 1932–42 on display at Tate Britain.
Snow Paul Nash 1939 Landscape from a Dream Paul Nash 1936–8 Totes Meer
‘Landscape from a Dream‘, Paul Nash, 1936–8
Nash 1932–42 On display at Tate Britain part of Tate Archive is 50 Totes Meer
‘Wittenham Clumps‘, Paul Nash, c.1943–4
1936–8 The Messerschmitt in Windsor Great Park Paul Nash 1940 Totes Meer
‘Equivalents for the Megaliths‘, Paul Nash, 1935 on display at Tate Britain.
of Tate Archive is 50 Landscape from a Dream Paul Nash 1936–8 Totes Meer
Artist page for Vanessa Winship (born 1960)
Winship’s books include Schwarzes Meer (2007), Sweet Nothings (2008) and She Dances
Paul Nash was preoccupied with his own mortality from childhood. But being posted as official artist to both world wars inspired him to some of his greatest work, now exhibited at Tate Liverpool. By Simon Grant
In the most dramatic, Totes Meer [Dead Sea], which was pictorially and thematically
‘By the Sea from Behind‘, Dieter Roth, 1972