Henriette Browne 1829–1901 | Tate https://www.tate.org.uk/art/artists/henriette-browne-824
Artist page for Henriette Browne (1829–1901)
that represented the Near East in a less sensationalized, albeit still exotic, manner
Artist page for Henriette Browne (1829–1901)
that represented the Near East in a less sensationalized, albeit still exotic, manner
Artist page for Christina Quarles (born 1985)
forefront of a generation of millennial artists and her works shatter the societal manners
‘The Artist’s Daughter Margaret‘, Thomas Gainsborough, c.1772
Needham, 10th Viscount Kilmorey Thomas Gainsborough c.1768 Mrs Sarah Walker Manner
‘Tristram and Fox‘, Thomas Gainsborough, c.1775–85
Francis Gregg Thomas Gainsborough c.1770 Landscape: Sheep in a Woodland Glade Manner
‘Mrs Elizabeth Graves‘, Edward Penny
the Younger c.1750 Mrs Collier Thomas Hudson 1744 Mrs Sarah Walker Manner
Artist page for Jessica Dismorr (1885–1939)
was one of the few English painters of the 1930s to work in a completely abstract manner
Includes material on ‚All hands to the pumps‘]], as well as John Singer Sargent’s [[N03708|’Ena and Betty, daughters of Asher and Mrs Wertheimer‘]], [[N04180|’The Misses Hunter‘]], [[N03709|’Alfred, Son of Asher Wertheimer‘]] and [[N04622|’Harmony in Grey and Green: Miss Cicely Alexander‘.
Sculpture New English Art Club Group X Norwich School Victorian / Genre Grand Manner
‘Portrait of a Youth Looking to Left‘, Susanna Duncombe (née Susanna Highmore)
.1770 View by appointment Two Classical Heads In Profile to the Left, in the Manner
‘Portrait of a Girl In Profile to the Left (Cutout)‘, Susanna Duncombe (née Susanna Highmore)
known View by appointment Two Classical Heads In Profile to the Left, in the Manner
‘Girl in a Poppy Field‘, Peter Blake, 1974
Tweedledum cried Peter Blake 1970 View by appointment ‘It isn’t manners for