Pancake Woman by Johannes Kornlein, Cornelis Ploos van Amstel, Christian Josi https://www.nga.gov/artworks/219197-pancake-woman
printmaker), after Gabriel Metsu Attributed to Artwork overview Medium chalk manner
printmaker), after Gabriel Metsu Attributed to Artwork overview Medium chalk manner
printmaker), after Govaert Flinck Attributed to Artwork overview Medium chalk manner
For the 2018 Sydney J. Freedberg Lecture on Italian Art, Scholar Stephen J. Campbell explores how Titian resisted contemporary definitions of his work.
destinations shows him performing as the quintessential artist of the Italian „modern manner
van Rijn Artist, Dutch, 1606 – 1669 Johann Andreas Benjamin Nothnagel, in the manner
require in-depth technical understanding of photographic materials and the causes and manners
The inaugural issue of Facture brings together the recent work of the National Gallery’s conservators, scientists, and curators centered on Renaissance painting, sculpture, textiles, and works on paper in the museum’s collection.
Named for “the manner in which things are made,� Facture addresses aspects of
With „The Skater,“ Stuart blazed a new path in British portraiture. Its details tell the story of skating in 18th-century Britain.
Grand manner portraits, which were popular at the time, did show subjects at full
A close friend of Whistler, George Washington Vanderbilt II commissioned this full-length portrait in 1897 to hang in Biltmore House, his enormous château on 125,000 acres of wilderness near Asheville, North Carolina. The artist quickly responded, „I could not ask for a more sympathetic subject than yourself and therefore am greatly pleased at the prospect of painting your portrait!“
Washington, D.C., 1980, no. 255, repro. 1981 American Portraiture in the Grand Manner
As part of this six-part lecture series, Vidya Dehejia, discusses the work of artists of Chola India who created exceptional bronzes of the god Shiva, invoked as “Thief Who Stole My Heart.�
at the center of a flourishing ocean trade route between Aden and China, and the manner
enabling users from across the world to use the Gallery’s images in a truly global manner