Learning Programmes | Tate https://www.tate.org.uk/about-us/learning-programmes
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Dein Suchergebnis zum Thema: Liverpool
Matt Saunders born 1975 | Tate https://www.tate.org.uk/art/artists/matt-saunders-17448
Artist page for Matt Saunders (born 1975)
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‘Designs and sketches‘, collection owner: Alan L. Durst, 1919–60 – Tate Archive | Tate https://www.tate.org.uk/art/archive/tga-729-3/durst-designs-and-sketches?page=3
‘Designs and sketches’, collection owner: Alan L. Durst, 1919–60 – part of the digitised collection of the Tate Archive
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Corporate Support | Tate https://www.tate.org.uk/about-us/corporate-support
Join Tate as a corporate member, become a partner or simply hire one of our spaces
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Christopher Wood 1901–1930 | Tate https://www.tate.org.uk/art/artists/christopher-wood-2167
Artist page for Christopher Wood (1901–1930)
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Tate Commerce | Tate https://www.tate.org.uk/about-us/tate-commerce
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Digital | Tate https://www.tate.org.uk/about-us/digital
Explore how Tate Digital works alongside other departments to further Tate’s mission and drive innovation
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Board of Trustees | Tate https://www.tate.org.uk/about-us/board-trustees
Tate Board of Trustees
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Found object | Tate https://www.tate.org.uk/art/art-terms/f/found-object
Tate glossary definition for found object: A natural or man-made object (or fragment of an object) found (or sometimes bought) by an artist and kept because of some intrinsic interest the artist sees in it
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‘Personal papers and artwork of Alan Durst‘, collection owner: Alan L. Durst, 1908–70 – Tate Archive | Tate https://www.tate.org.uk/art/archive/tga-729/personal-papers-and-artwork-of-alan-durst?page=3
Alan Durst (1883-1970) was born in Alverstoke, Hampshire, and educated at Marlborough College. He then served in the Royal Marines until 1913, when he began to learn to carve ivory at the London County Council Central School. His interest in carving led him to Chartres where he became enamoured of stone. But the First World War intervened, and for five years he served at sea, and on demobilization became curator of the Watts Museum at Compton, Surrey. In 1920, he returned to London and the Central School, carving in stone and wood, particularly for architectural and decorative purposes. He exhibited …
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