Dein Suchergebnis zum Thema: Hand

‘Sketchbooks and preparatory sketches of Marie-Louise von Motesiczky‘, collection owner: Marie-Louise Von Motesiczky, 1920s–1990s – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20204-1/von-motesiczky-sketchbooks-and-preparatory-sketches-of-marie-louise-von-motesiczky?page=6

‘Sketchbooks and preparatory sketches of Marie-Louise von Motesiczky’, collection owner: Marie-Louise Von Motesiczky, 1920s–1990s – part of the digitised collection of the Tate Archive
Chair’ Marie-Louise Von Motesiczky date not known Sketch titled ‘Seated Girl, Hand

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‘‘Artwork‘, collection owner: Felicia Browne, [1920s–1930s]‘, collection owner: Felicia Browne, [1920s–1930s] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-201023-1/browne-artwork?page=2

This series contains examples of Felicia Browne’s artwork, including three sketchbooks filled in between 1925-1936. The first two contain sketches of labourers and working class men in London whilst the third includes sketches from Browne’s time in Spain shortly before her death. In addition there are numerous studies of nudes and sketches from Browne’s trips to Hungary, the Czech Republic and Russia in the early 1930s. There are also instances of her design work (see TGA 201023/1/135-170) including three sketches which may be preparatory sketches for Browne’s entry for the competition to find a design for the Tolpuddle Martyrs Medal, …
as many drawings and a sketchbook covering her travels through Europe and first-hand

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 8 October [1930]‘, Edward Renouf, recipient: Anny Schey von Koromla, 8 October [1930] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-20/letter-from-edward-renouf-to-anny-schey-von-koromla

8 October Dear Baroness Schey! I was in Innsbruck early this morning and sent you a postcard via the ‘varsity box’ there. When I returned there were several letters waiting for me. One from the American Consul in Munich, saying I shouldn’t have too much difficulty getting a passport. Another from Clifford in Paris. As usual, he writes only about Ellen. He says she’s an angel and that he loves her more ardently than any man or woman has ever loved before! Those two should go out in society. C suggested they take an aunt along as a chaperone, not …
On the one hand he was dismayed by these letters because they made him see what an

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‘Personal papers of and artworks by Eileen Agar‘, collection owner: Eileen Agar, 1917–92 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-9222/personal-papers-of-and-artworks-by-eileen-agar?page=12

Available online are items a range of Eileen Agar’s artworks and writings which shed light on her working methods, including her extensive use of found objects, and her involvement in the Surrealist movement. Artworks which have been digitised include sculptures constructed from found objects and preparatory tracings for her series of paintings of rocks at Ploumanach. Several of Agar’s writings and notebooks, which provide some insight into her life, working methods, and reflections on art, can also be seen online. Details of the remainder of the collection can be found on the Archive catalogue.
Agar date not known Two slides joined together, an abstract pattern on the left hand

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