Portraits of Soldiers from the Saint-Gaudens Memorial by Richard Benson https://www.nga.gov/artworks/161626-portraits-soldiers-saint-gaudens-memorial
Inscriptions & Marks Inscriptions by artist, lower right in graphite: RMAB; by unknown hand
Dein Suchergebnis zum Thema: Hand
"Ellie 1957" by American 20th Century https://www.nga.gov/artworks/135255-ellie-1957
Inscriptions & Marks Inscriptions by unknown hand, top center in blue ink: Ellie
Feast of the Indian Corn by Addison Scurlock https://www.nga.gov/artworks/227477-feast-indian-corn
artist, upper left in graphite: Feast of the Indian Corn 1918; on recto, by unknown hand
Translucent Hat by Lillian Bassman https://www.nga.gov/artworks/220328-translucent-hat
signed by artist, center left in graphite: Lillian Bassman / circa 1950; by unknown hand
Low Tide by Frances H. Gearhart https://www.nga.gov/artworks/199771-low-tide
Gearhart; lower left corner in graphite by unknown hand: G 237; lower left verso
Madonna and Child with Two Angels by Verona 14th Century https://www.nga.gov/artworks/46194-madonna-and-child-two-angels
She braces the child’s torso with her left hand, to our right, and touches his
Carle Van Loo | National Gallery of Art https://www.nga.gov/artists/2633-carle-van-loo
Discover works by Carle Van Loo and learn about the artist
paper · Accession ID 2013.46.4 Artwork Carle Van Loo, Seated Man with Head in Hand
Smith, Robert H., Mr. and Mrs. | National Gallery of Art https://www.nga.gov/artworks/provenance/37-smith-robert-h-mr-and-mrs
1650 · bronze · Accession ID 2022.181.45 Artwork Netherlandish 16th Century, Hand
La Méditerranée by Aristide Maillol https://www.nga.gov/artworks/93096-la-mediterranee
At the beginning of the twentieth century, as he turned from a career as a painter and a graphic and tapestry designer to concentrate on sculpture, Aristide Maillol was shaping what would become the leitmotif of his career. The subject that inspired him was the female nude, carefully observed but transmuted by underlying geometric forms into a kind of architecture, evoking the timeless rather than the individual.
She holds her left hand, to our right, to that cheek so the elbow is close to the
The Greeting by Pieter de Hooch https://www.nga.gov/artworks/195670-greeting
wears pearl earrings, a pearl necklace, and a four-stranded pearl bracelet on the hand