Malik I by Sylvia Snowden, Robert Franklin, Brandywine Workshop and Archives https://www.nga.gov/artworks/227010-malik-i
Marks Inscriptions "Sylvia Snowden 10/94" lower right margin, graphite, artist’s hand
Dein Suchergebnis zum Thema: Hand
Barbizon Roadway in Snow by Eugène Cuvelier https://www.nga.gov/artworks/212086-barbizon-roadway-snow
Associated Names Isaacs, Charles Inscriptions & Marks Inscriptions by unknown hand
West Building Verbal Descriptions stop 417 | National Gallery of Art https://www.nga.gov/visit/tours-guides/audio-tours/west-building-tour-verbal-descriptions/west-building-verbal-descriptions-stop-417
The cuffs are coral red, with more gold buttons; the button closest to the hand on
Casting, Number Two by Winslow Homer https://www.nga.gov/artworks/55577-casting-number-two
(National Gallery only, not in catalogue) 1996 An Amazing Bit of Sleight of Hand
Fred Becker | National Gallery of Art https://www.nga.gov/artists/3484-fred-becker
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1937 · etching · Accession ID 2008.115.817 Artwork Fred Becker, John Henry’s Hand
Parmigianino | National Gallery of Art https://www.nga.gov/artists/2673-parmigianino
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· Accession ID 1971.82.1 Artwork Parmigianino, Kneeling Woman Lifting Her Hand
Eadweard Muybridge | National Gallery of Art https://www.nga.gov/artists/16474-eadweard-muybridge
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Movement of the hand, lifting a ball, 1887, collotype, Corcoran Collection (Museum
Flemish 16th Century | National Gallery of Art https://www.nga.gov/artists/8348-flemish-16th-century
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16th century · bronze · Accession ID 1957.14.41 Artwork Flemish 16th Century, Hand
George Biddle | National Gallery of Art https://www.nga.gov/artworks/provenance/3524-george-biddle
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all 30 works of art Artwork Philip Evergood, A Self-Portrait with Good Right Hand
La Méditerranée by Aristide Maillol https://www.nga.gov/artworks/93096-la-mediterranee
At the beginning of the twentieth century, as he turned from a career as a painter and a graphic and tapestry designer to concentrate on sculpture, Aristide Maillol was shaping what would become the leitmotif of his career. The subject that inspired him was the female nude, carefully observed but transmuted by underlying geometric forms into a kind of architecture, evoking the timeless rather than the individual.
She holds her left hand, to our right, to that cheek so the elbow is close to the