rich panel was originally the left side of a diptych, which, along with a right-hand
The hand farther from us is drawn across the chest and tucked under the arm closer
– January 16, 2012 Inscriptions & Marks Inscriptions on verso, by unknown hand
Discover works by Cornelis Ploos van Amstel and learn about the artist
van Amstel, Christian Josi · published 1821 · etching printed in black ink and hand-colored
Accession ID 2015.143.1167 Artwork Philip Evergood, A Self-Portrait with Good Right Hand
He rests his head in his right hand, farther from us, with that elbow resting on
At the beginning of the twentieth century, as he turned from a career as a painter and a graphic and tapestry designer to concentrate on sculpture, Aristide Maillol was shaping what would become the leitmotif of his career. The subject that inspired him was the female nude, carefully observed but transmuted by underlying geometric forms into a kind of architecture, evoking the timeless rather than the individual.
She holds her left hand, to our right, to that cheek so the elbow is close to the
Discover works by Hiram Powers and learn about the artist
1870 · marble · Accession ID 2015.19.3659 Artwork Hiram Powers, Study of a Hand
Discover works by Richard Hamilton and learn about the artist
Petersburg Press · 1972 · color screen print from one photographic and seventeen hand-cut
Zoom In Zoom Out Recenter Visual Description A boy leads a girl by her hand
Hans Mielich was the leading painter in Bavaria in the mid-sixteenth century. His art was greatly influenced by Albrecht Altdorfer with whom he worked in Regensburg from about 1536 to 1538.
acquired early in the century; see his letter of 30 January 1989 to NGA curator John Hand
