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And more by more they dream their sleep: Mezzotints by Yōzō Hamaguchi –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/and-more-by-more-they-dream-their-sleep-mezzotints-by-yozo-hamaguchi

November 27, 2024 – July 20, 2025 | G226, 227 | Free Exhibition Yōzō Hamaguchi (1909–2000) was a master of color mezzotints, a technique that allowed printmakers to reproduce complex details of an artwork. Photography had rendered it obsolete by the 1900s, but Hamaguchi revived the technique after encountering it during a stay in Paris in the 1930s
Hamaguchi Yōzō (Japanese, 1909-2000), Twenty-Two Cherries (detail), color mezzotint, Gift

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Georges Jeanclos’s Sleepers (Dormeurs) –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/georges-jeancloss-sleepers-dormeurs

May 28, 2016 – February 4, 2018 | Judaica (G362) | Free exhibition Georges Jeanclos (1933–97) was among the most important ceramic sculptors in France during the late 20th century. He developed personal imagery centering on themes of death, birth, resurrection, and human interconnection
About Shop Georges Jeanclos French, 1933-97 Dormeurs (Sleepers), 1979 Fired clay Gift

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Dwelling in Mountains: Reclusion in Chinese Landscape Painting –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/dwelling-in-mountains-reclusion-in-chinese-landscape-painting

October 1, 2023 – October 20, 2024 | Gallery 203 | Free Exhibition The idea of retreating from society into mountainous landscapes has a long history in China. Daoist, Buddhist, and Confucian followers all regarded mountains as sacred places where one could become spiritually fulfilled, far from restraining social burdens. This exhibition features classical Chinese paintings from Mia’s permanent collection that express the idyllic life of mountain dwellers, from recluses in their mountain huts to scenic lakes with fishermen who represent a life of freedom and spontaneity
Landscape with Scholar Viewing a Waterfall (detail), 1722, Ink and colors on paper, Gift

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Call and Response: American Watercolors in Conversation –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/call-and-response-american-watercolors-in-conversation

July 8, 2023 – March 3, 2024 | Gallery 353 | Free Exhibition Watercolor is a familiar medium. The paint sets are portable and affordable, and many of us have mixed a little water with the hard, dry cakes of pigment to brush color on a modest sheet of paper
Anonymous gift in memory of Kenji Nakahashi and in honor of Robert Cozzolino, 2019.146.67

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Tanaka Ryōhei: Portrait of a Home –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/tanaka-ryohei-portrait-of-a-home

February 10, 2024 – November 10, 2024 | Gallery 226, 227 | Free Exhibition Tanaka Ryōhei (1933–2019) was a prolific Japanese printmaker who specialized in etchings. Born and raised in Takatsuki, he grew up surrounded by the rural landscapes of western Japan, which would become the subject of his prints
Gift of Sue Y.S.

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Objectivity: Metaphorical and Material Lives of Photographs –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/objectivity-metaphorical-and-material-lives-of-photographs

March 12, 2022 – July 31, 2022 | Harrison Photography Gallery | Free Exhibition Photographs are both things and ideas. Before they were pixels on a smartphone or stashed up in the cloud, photographs were objects printed on tangible goods
Time – (B), 1985, Kenji Nakahashi, Japanese, 1947 – 2017, Gelatin silver print, Gift

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Rembrandt in Conversation –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/rembrandt-in-conversation

July 16, 2020 – March 21, 2021 | The Winton Jones Gallery for Prints and Drawings (Gallery 344) | Free Exhibition A main thread in the history of art is the centuries-long conversation between artists. Many paid attention to what others had done or were doing and then responded— sometimes obviously, sometimes not; sometimes approvingly, sometimes not
Ladd Collection, gift of Herschel V.

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Nature in Monochrome: Birds and Flowers in Japanese Ink Painting –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/nature-in-monochrome-birds-and-flowers-in-japanese-ink-painting

February 9, 2019 – October 27, 2019 | G221, 222, 223 | Free Exhibition Birds and flowers are popular motifs in all types of Japanese art, but it was in the 1300s that Japanese painters began painting pictures of these subjects in ink alone. Painters took up the brush to create small vignettes of nature in shades of black on paper or silk, inspired by Chinese paintings then being imported to Japan
hanging scrolls; ink on paper, 15 1/16 × 22 3/4 in., Mary Griggs Burke Collection, Gift

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