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Objectivity: Metaphorical and Material Lives of Photographs –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/objectivity-metaphorical-and-material-lives-of-photographs

March 12, 2022 – July 31, 2022 | Harrison Photography Gallery | Free Exhibition Photographs are both things and ideas. Before they were pixels on a smartphone or stashed up in the cloud, photographs were objects printed on tangible goods
Time – (B), 1985, Kenji Nakahashi, Japanese, 1947 – 2017, Gelatin silver print, Gift

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Yoshitoshi: Master Draftsman Transformed –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/yoshitoshi-master-draftsman-transformed

February 1, 2020 – August 9, 2020 | Cargill Gallery | Free Exhibition Tsukioka Yoshitoshi (1839–1892) is considered the last major artist of classical Japanese woodblock prints, known as ukiyo-e. His career spanned Japan’s transformation from feudal backwater to modern nation-state, largely during the Meiji period (1868–1912), when he was the undisputed leader in his field
Griggs and Mary Griggs Burke Foundation, gifts of various donors, by exchange, and gift

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The Contested Body –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-contested-body

December 23, 2017 – February 10, 2019 | G373 | Free Exhibition Contemporary artists approach the human body not as a fixed and stable entity, but rather as a fluid, contested site for the creation of meaning. The works in this exhibition present the varied expressions of gender, race, and sexuality not as biological givens but as cultural constructs performed through everyday actions and mannerisms. „The Contested Body“ features loaned objects and recent acquisitions of work by artists Emma Amos, Sadie Benning, Sharon Hayes, George Segal, Lorna Simpson, Martin Wong, and Portia Zvavahera, among others in which the body is reimagined as a site of agency, empowerment, celebration, and struggle in an attempt to encompass the complexity and multiplicity of the human condition.
born 1973 Bess, 2016 Aqua resin, wood casein, photographs, digital photographs Gift

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Tibetan Buddhist Shrine Room: The Alice S. Kandell Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/tibetan-buddhist-shrine-room-the-alice-s-kandell-collection

September 14, 2024 – September 14, 2025 | Gallery 256 | Free Exhibition „Tibetan Buddhist Shrine Room: The Alice S. Kandell Collection“ includes more than two hundred gilt-bronze sculptures, paintings, silk hangings, and carpets that were created in Tibet between the 1300s and early 1900s
Promised Gift of Alice S.

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Trees Lovely as a Poem: Works on Paper –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/trees-lovely-as-a-poem-works-on-paper

August 1, 2015 – March 27, 2016 | Gallery 353 | Free exhibition Like a tree pruned one too many times, some of the museum’s finest artworks have been forced to stay quiet. These are watercolors, pastels, gouaches, charcoals, and ink drawings that are rarely exhibited out of concern for their light-sensitive materials
Landscape with Trees near Hillegom, c. 1800 Black chalk with brush and gray wash Gift

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Year of the Dragon: Mystical Creatures of the Sky –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/year-of-the-dragon-mystical-creatures-of-the-sky

February 10, 2024 – May 5, 2024 | Cargill Gallery | Free Exhibition From the dragon’s first appearance in art some eight to nine thousand years ago, during the early Neolithic period, these ferocious beasts have occupied an honored place in Chinese culture. Their majestic power has inspired art in nearly every medium—jade to bronze, ceramics to paintings
China, Tang dynasty (618-907), Pair of flying dragons, 8th century, gilt bronze, Gift

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Bizen: Contemporary Expressions of an Ancient Japanese Pottery –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/bizen-contemporary-expressions-of-an-ancient-japanese-pottery

June 1, 2024 – February 16, 2025 | Gallery 251, 252, 253 | Free Exhibition Bizen ware, characterized by its rich reddish-brown clay with natural ash glaze, is one of Japan’s six pottery traditions. Originating from today’s Okayama prefecture on the Seto Inland Sea, its history reaches back to the 14th century
vessel, 2015, Bizen ware; stoneware with natural ash glaze and hidasuki marks, Gift

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Seven Masters: 20th-Century Japanese Woodblock Prints from the Wells Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/seven-masters-20th-century-japanese-woodblock-prints-from-the-wells-collection

September 26, 2015 – March 13, 2016 | U. S. Bank Gallery | Free Exhibition Seven Masters focuses on seven artists who played a significant role in the development of early 20th-century shin hanga, the new print, and are noteworthy representatives of this movement. Drawing from the collection of Ellen and Fred Wells at the Minneapolis Institute of Art, it features the spectacular beauty portraits of Hashiguchi Goyō (1880–1921), Itō Shinsui (1898–1972), Yamakawa Shūhō (1898–1944), and Torii Kotondo (1900–1976), the striking actors of Yamamura Toyonari/Kōka (1886–1942) and Natori Shunsen (1886–1960), as well as the evocative landscapes of Kawase Hasui (1883–1957)
Gift of Ellen and Fred Wells 2002.161.70 Seven Masters: 20th-Century Japanese Woodblock

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