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Counter/Culture –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/counter-culture

June 22, 2024 – November 17, 2024 | Perlman Gallery | Free Exhibition The most frequented places are often among the least noticed–including the humble counter. In restaurants, kitchens, and stores, counters are sites of preparation, display, communication, and more
born 1940), Two Can Openers, Kitchen, Pound Ridge, NY, 1978, gelatin silver print, Gift

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Reflections on Reality: Drawings and Paintings from the Weisberg Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/reflections-on-reality-drawings-and-paintings-from-the-weisberg-collection

May 14, 2022 – December 10, 2023 | Gallery 315, Gallery 316 | Free Exhibition In the mid-1800s, many French and Belgian artists rejected grandiose images of mythology and history to focus on everyday lives, especially those of rural folk, laborers, and the disaffected—people most vulnerable to the whims of the powerful. These artists called themselves Realists
Promised gift of Gabriel P. and Yvonne M.L.

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Tanaka Ryōhei: Portrait of a Home –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/tanaka-ryohei-portrait-of-a-home

February 10, 2024 – November 10, 2024 | Gallery 226, 227 | Free Exhibition Tanaka Ryōhei (1933–2019) was a prolific Japanese printmaker who specialized in etchings. Born and raised in Takatsuki, he grew up surrounded by the rural landscapes of western Japan, which would become the subject of his prints
Gift of Sue Y.S.

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Objectivity: Metaphorical and Material Lives of Photographs –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/objectivity-metaphorical-and-material-lives-of-photographs

March 12, 2022 – July 31, 2022 | Harrison Photography Gallery | Free Exhibition Photographs are both things and ideas. Before they were pixels on a smartphone or stashed up in the cloud, photographs were objects printed on tangible goods
Time – (B), 1985, Kenji Nakahashi, Japanese, 1947 – 2017, Gelatin silver print, Gift

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Trees Lovely as a Poem: Works on Paper –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/trees-lovely-as-a-poem-works-on-paper

August 1, 2015 – March 27, 2016 | Gallery 353 | Free exhibition Like a tree pruned one too many times, some of the museum’s finest artworks have been forced to stay quiet. These are watercolors, pastels, gouaches, charcoals, and ink drawings that are rarely exhibited out of concern for their light-sensitive materials
Landscape with Trees near Hillegom, c. 1800 Black chalk with brush and gray wash Gift

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Year of the Dragon: Mystical Creatures of the Sky –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/year-of-the-dragon-mystical-creatures-of-the-sky

February 10, 2024 – May 5, 2024 | Cargill Gallery | Free Exhibition From the dragon’s first appearance in art some eight to nine thousand years ago, during the early Neolithic period, these ferocious beasts have occupied an honored place in Chinese culture. Their majestic power has inspired art in nearly every medium—jade to bronze, ceramics to paintings
China, Tang dynasty (618-907), Pair of flying dragons, 8th century, gilt bronze, Gift

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Bizen: Contemporary Expressions of an Ancient Japanese Pottery –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/bizen-contemporary-expressions-of-an-ancient-japanese-pottery

June 1, 2024 – February 16, 2025 | Gallery 251, 252, 253 | Free Exhibition Bizen ware, characterized by its rich reddish-brown clay with natural ash glaze, is one of Japan’s six pottery traditions. Originating from today’s Okayama prefecture on the Seto Inland Sea, its history reaches back to the 14th century
vessel, 2015, Bizen ware; stoneware with natural ash glaze and hidasuki marks, Gift

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Seven Masters: 20th-Century Japanese Woodblock Prints from the Wells Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/seven-masters-20th-century-japanese-woodblock-prints-from-the-wells-collection

September 26, 2015 – March 13, 2016 | U. S. Bank Gallery | Free Exhibition Seven Masters focuses on seven artists who played a significant role in the development of early 20th-century shin hanga, the new print, and are noteworthy representatives of this movement. Drawing from the collection of Ellen and Fred Wells at the Minneapolis Institute of Art, it features the spectacular beauty portraits of Hashiguchi Goyō (1880–1921), Itō Shinsui (1898–1972), Yamakawa Shūhō (1898–1944), and Torii Kotondo (1900–1976), the striking actors of Yamamura Toyonari/Kōka (1886–1942) and Natori Shunsen (1886–1960), as well as the evocative landscapes of Kawase Hasui (1883–1957)
Gift of Ellen and Fred Wells 2002.161.70 Seven Masters: 20th-Century Japanese Woodblock

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Living Rooms | The Jane Austen Reading Room –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/living-rooms-the-jane-austen-reading-room

November 21, 2015 – April 2, 2017 | G326 and G327 | Free This installation situates one of the greatest authors of English literature, Jane Austen, in a unique period room setting. Taking up two of Mia’s well-loved English interiors—the Queen Anne room and the Georgian Drawing room—this display will discuss Austen’s habits as a reader and writer, recreate scenes from her novel Emma (celebrating its 200th birthday in 2015), and invite museum visitors to read works that Austen read, wrote, or inspired. This project is part of Living Rooms, an initiative to present Mia’s historic interiors and decorative arts collections in new ways. Generous support for this project provided by the MacFarlane Memorial Room Fund of the Minneapolis Foundation
Shop The Jane Austen Reading Room England, Queen Anne room, c. 1720–1730, Oak Gift

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Félix Bracquemond: Etcher of Birds –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/felix-bracquemond-etcher-of-birds

November 26, 2016 – May 7, 2017 | The Winton Jones Print and Drawing Gallery – Gallery 344 | Free Exhibition Printmaker Félix Bracquemond (1833–1914) ruled the roost in mid-1800s France by reviving interest in etching, a technique made famous by Rembrandt. Bracquemond led the way with his printmaking excellence and innovation, attempting the century’s first color etching and adopting design ideas from Japanese woodcuts, which he is credited with discovering in a Paris shop
Ladd Collection, gift of Herschel V.

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