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The Archangels Saint Michael and Saint Raphael: A Pair of 18th-Century Silver Sculptures –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-archangels-saint-michael-and-saint-raphael

November 14, 2015 – January 3, 2016 | Cargill Gallery | Free Exhibition A pair of two silver statues by Neapolitan artist Giuseppe Sanmartino (1720–93), donated to the museum by long-time trustees Al and Mary Agnes McQuinn, marks one of the most important additions to Mia’s silver collection. Executed with amazing detail, the statues testify to a devotion to the two Archangels, an act that goes back to the Early Christian period and continues to flourish in Southern Italy (as well as in the Greek and Russian Orthodox churches) to the present day
Silver, gilt bronze Gift of Al and Mary Agnes McQuinn 2015.24.1,2 The Archangels

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Yee I-Lann: Picturing Power –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/yee-i-lann-picturing-power

April 23, 2022 – December 11, 2022 | Perlman Gallery | Free Exhibition In this striking series of images, visual artist Yee I-Lann creates graphically distinctive photographic assemblages to address the legacies of Dutch colonialism in Indonesia and elsewhere in Southeast Asia. By appropriating historical photographs sourced from colonial archives in the Netherlands, and arranging them with her own photography, the artist provides new grounds for interpreting the visual record of imperialism in Southeast Asia
reflective of one’s own kind, 2013 (printed 2015), Giclée print on Hahnemühle paper, Gift

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Die Neuen Wilden: Neo-Expressionism in Germany –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/die-neuen-wilden-neo-expressionism-in-germany

September 24, 2016 – June 11, 2017 | Galleries 315, 316 | Free Exhibition Die Neuen Wilden (The New Wild Ones) was an informal group of young Neo-Expressionist artists active in Germany from the mid-1970s to the early 1990s. Taking a cue from German Expressionist art of the early 20th century, Neo-Expressionism was bold, raw, brutish, spontaneous, messy, vital, emotional, sensual, antimodern, antiprogressive, and at times nihilistic, denying any meaning in life
Erste Konzentration I” (First Concentration I) portfolio Woodcut​; ​edition of 50 Gift

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Recent Acquisitions: Fiber Art at Mia –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/recent-acquisitions-fiber-art-at-mia

December 7, 2019 – October 18, 2020 | Gallery 275 | Free Exhibition Showcased here is a selection of fiber artworks acquired over the past five years by Mia’s Department of Decorative Arts, Textiles, and Sculpture. The term “fiber art” came into being in the years following World War II (1939–45) to describe the work of artists who employed various methods of textile production traditionally recognized as “craft” or “women’s work”: weaving, knitting, crochet, and other techniques
Helena Hernmarck American (born Sweden), born 1941 Moot, 1971 Wool, linen, cotton Gift

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Piotr Szyhalski / Labor Camp – COVID-19: Labor Camp Report –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/piotr-szyhalski-labor-camp-covid-19-labor-camp-report

March 17, 2021 – September 19, 2021 | G370 | Free Exhibition On March 24, 2020, Minneapolis-based artist Piotr Szyhalski embarked on a daily drawing practice, responding to the COVID-19 pandemic as it unfolded in real time. What began as a way for the artist to share observations of life in lockdown and the pain caused by the pandemic, soon became an exercise in chronicling his thoughts and feelings, reconciling them with the changes being wrought in the world. COVID-19: Labor Camp Report consists of 225 drawings created over eight months, with new drawings posted daily on Instagram, a witness to the unfolding crisis and a record of time both labored and lost. Explore Exhibition     Views of Gallery 370 with objects installed for the exhibition „Piotr Szyhalski / Labor Camp – COVID-19: Labor Camp Report“ at Minneapolis Institute of Art.  
Labor Camp, Polish, born 1967, COVID-19: Labor Camp Report, 2020, Digital folio, Gift

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The Coated Splendor: Art of Chinese Lacquer (12th-19th centuries) –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-coated-splendor-art-of-chinese-lacquer-12th-19th-centuries

May 31, 2014 – April 19, 2015 | Corridor adjacent to the Wu House in G218 | Free Exhibition An art material since the late Neolithic period (c. 3200–2200 BCE), Chinese lacquer is a natural varnish made from the sap of the lacquer tree that, when exposed to air, forms a plastic coat, resistant to water, acid, or alkaline corrosion
tihong) 4 5/8 x 12 7/16 x 9 1/8 in. (11.7 x 31.6 x 23.2 cm) Origin: China, Asia Gift

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Cloth Paper Scissors: Helena Hernmarck Weaves the Everyday –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/cloth-paper-scissors-helena-hernmarck-weaves-the-everyday

February 15, 2020 – February 7, 2021 | Robert and Marlyss White Gallery (Gallery 281) | Free Exhibition What sparks the artist’s imagination? Helena Hernmarck often finds inspiration in the stuff of everyday life: a letter, admission tickets, paper money, even dry cleaner tags. She contemplates these humble items, scales them up, and weaves them into large tapestries that display her virtuosic skills in photorealism
Hernmarck, American (born Sweden), born 1941, Envelope from Sweden, 1992, wool, Gift

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Shimmering Surfaces: Chinese Lacquer Motifs and Techniques –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/shimmering-surfaces-chinese-lacquer-motifs-and-techniques

March 31, 2021 – April 10, 2022 | Gallery 210 | Free Exhibition Lacquer art has a long history in China, beginning more than 5,000 years ago. Richly decorated lacquer wares often invoke themes and ideas intended to bring wealth, health, moral ethics, good luck, longevity, and even immortality to their owners—and also communicate their wealth and status
Dragon Box (detail), 18th century, red, green, and brown carved lacquer (tixi), Gift

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