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Rembrandt in Conversation –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/rembrandt-in-conversation

July 16, 2020 – March 21, 2021 | The Winton Jones Gallery for Prints and Drawings (Gallery 344) | Free Exhibition A main thread in the history of art is the centuries-long conversation between artists. Many paid attention to what others had done or were doing and then responded— sometimes obviously, sometimes not; sometimes approvingly, sometimes not
Ladd Collection, gift of Herschel V.

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Nature in Monochrome: Birds and Flowers in Japanese Ink Painting –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/nature-in-monochrome-birds-and-flowers-in-japanese-ink-painting

February 9, 2019 – October 27, 2019 | G221, 222, 223 | Free Exhibition Birds and flowers are popular motifs in all types of Japanese art, but it was in the 1300s that Japanese painters began painting pictures of these subjects in ink alone. Painters took up the brush to create small vignettes of nature in shades of black on paper or silk, inspired by Chinese paintings then being imported to Japan
hanging scrolls; ink on paper, 15 1/16 × 22 3/4 in., Mary Griggs Burke Collection, Gift

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Picasso Cuts the Bull –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/picasso-cuts-the-bull

April 6, 2019 – January 19, 2020 | Gallery 353 | Free Exhibition Pablo Picasso innovated in almost all art media, from painting and sculpture to book arts and printmaking. Mia recently acquired a rare group of prints that show his exploration into a novel printmaking technique: the reduction linocut
Longfellow Fund for Works on Paper, and gift of funds from Barbara S.

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George Morrison: Drawings and Small Paintings –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/george-morrison-drawings-and-small-paintings

October 21, 2017 – July 1, 2018 | Gallery 353 | Free Exhibition George Morrison (1919–2000) was a renowned Anishinaabe modernist from Minnesota whose visionary work was inspired by the natural world, a profound sense of place, and Native American thought and culture. Morrison believed that nature, particularly the sky and water, held a spiritual vitality, a transcendent force that could be experienced through an aesthetic rooted in abstraction and surrealism.  Emotive, personal, intuitive, and organic, Morrison’s approach was also deeply introspective, with Minnesota landscapes and the shoreline of Lake Superior serving as his principal subjects
Portage Anishinaabe), 1919-2000 Untitled, 1994 Colored pencil and ink on paper Gift

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Abstract Prints by Hagiwara Hideo –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/abstract-prints-by-hagiwara-hideo

December 14, 2019 – May 23, 2021 | Gallery 226, 227, 237 | Free Exhibition Originally a painter trained in oil, Hagiwara Hideo (1913–2007) became ill with tuberculosis and turned to printmaking in 1954. From the start his prints were of an abstract nature, and for 50 years he was a constant innovator in his choice of motifs, style, and technique
the series Thirty-six Fuji, 1981-1986, Woodblock print; ink and color on paper, Gift

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Fly Zine Archive: A Chronicle of Punk, Queer, and Anarchist Counterculture –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-fly-zine-archive-a-chronicle-of-punk-queer-and-anarchist-counterculture

July 16, 2021 – April 24, 2022 | Gallery 315 | Free Exhibition This exhibition introduces Mia’s groundbreaking acquisition of the Fly Zine Archive, a thematically focused collection of nearly 2,000 zines, comics, and underground publications by a diverse range of punk, anarchist, feminist, and LGBTQ+ artists and writers active in the United States, Europe, and elsewhere. Compiled by the New York–based artist and activist Fly NYC, the archive chronicles the graphic art and printed ephemera connecting the alternative subcultures that flourished in urban centers in the 1980s, 1990s, and early 2000s
bound volume, Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift

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Life at the Edge of Empire: North America, c. 1760–1812 –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/life-at-the-edge-of-empire-north-america-c-1760-1812

February 1, 2019 – November 29, 2020 | Charleston Dining Room and Charleston Drawing Room, G336 and 337 | Free Exhibition For North Americans living in the late 1700s and early 1800s—whether free or enslaved, Native American, or of African or European descent—a common set of historical forces impacted life, albeit in very different ways. The experiences of territorial conflict, international diplomacy, trade, and shifting national identities are explored through the artworks and furnishings installed in the 1772 Charleston Dining and Drawing Rooms, from the home of John Stuart, the superintendent of Indian Affairs for Britain’s southern colonies in North America. This project is part of Living Rooms, an initiative to present Mia’s historic interiors and decorative arts collections in new ways. Mia gratefully acknowledges the support and contributions of the many individuals and communities whose histories are told in this exhibition. Generous support provided by the National Endowment for the Arts and donors at the 2014 Mia Gala. Additional support provided by the Chipstone Foundation.
Programs Support About Shop Charleston Drawing Room, 1772, cypress, paint, gift

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George Morrison in Focus –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/george-morrison-in-focus

October 21, 2017 – July 1, 2018 | Gallery 375 | Free Exhibition George Morrison (1919–2000) constantly explored new ways to translate nature and personal experience. Born near Grand Marais, Minnesota, Morrison trained in Minneapolis before moving to New York in 1943
Morrison American (Grand Portage Anishinaabe), 1919-2000 Untitled, 1960 Oil on canvas Gift

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Artists Reflect: Contemporary Views on the American War –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/artists-reflect-contemporary-views-on-the-american-war

September 29, 2019 – January 5, 2020 | Target Gallery | General Admission $20; My Mia Member $16; Investor+ Free; Youth 17 and Under Free Tickets on sale now. General Admission $20 My Mia Member $16 Investor+ Free Youth 17 and Under Free Mia’s companion exhibition to „Artists Respond: American Art and the Vietnam War, 1965-1975“ features drawings, textiles, video, photography, and installations made by artists from the Southeast Asian diaspora who have been deeply engaged with the impact and legacy of the American War in Vietnam. The artists reflect on migration, memory, the effect of violence on the landscape and on communities, healing, and trauma. The Twin Cities is home to a large Southeast Asian population, many of whom arrived in the wake of the war
, 1972, 22, From the 50-panel series Hmong Migration, 1993-2001, Oil on canvas, Gift

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