Dein Suchergebnis zum Thema: Gift

Fukuda Kodōjin: Japan’s Great Poet and Landscape Artist –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/fukuda-kodojin-japans-great-poet-and-landscape-artist

April 22, 2023 – July 23, 2023 | Galleries 237, 238, 239, 251, 252, 253 | Free Exhibition Fukuda Kodōjin (1865–1944) was one of a handful of scholar-artists who continued the tradition of Japanese literati painting (nanga) after 1900. Kodōjin’s painting style is characterized by bizarrely shaped mountain forms rendered in vivid color or monochromatic ink that often include a solitary scholar enjoying the expansive beauty of nature
(detail), hanging scroll, ink and color on silk, Minneapolis Institute of Art, Gift

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A World of Radiant Awakening: Buddhism and the Painting of China –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/a-world-of-radiant-awakening-buddhism-and-the-painting-of-china

March 18, 2017 – March 18, 2018 | The Sit Gallery (G203) | Free Exhibition Buddhism has been a dominant religious and intellectual force in China since it arrived from India around 100 C.E. Both literati and professional artists created Chinese Buddhist paintings
(1644–1911) Two Versions of Bodhisattva Guanyin, c. 1750 Ink and colors on silk Gift

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In Dialogue with the Forest: Barkcloth Paintings from Congo –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/in-dialogue-with-the-forest-barkcloth-paintings-from-congo

February 16, 2019 – November 3, 2019 | Gallery 255 | Free Exhibition To make barkcloth, a traditional form of clothing, Mbuti men collect pieces of the inner bark of fig trees, and pound them until they are thin and pliable. Mbuti women decorate the surfaces with intricate designs, using twigs and their fingers to apply dyes made from plant saps and charcoal powder
pigment The Mary Ruth Weisel Endowment for Africa, Oceania, and the Americas and gift

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Science and Sociability in 1700s England –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/science-and-sociability-in-1700s-england

April 22, 2017 – June 10, 2018 | Queen Anne Room and Georgian Room, G326 and 327 | Free Exhibition In 1700s England, the home was a place where genteel men and women studied and conversed about natural history; only later did science move exclusively to the laboratory, where it became a predominantly male profession. This temporary exhibition presents Mia’s British rooms as places for the pursuit of science
Skip to main content Georgian Drawing Room, c. 1740 Pine Gift of Mrs.

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Captive Beauties: Depictions of Women in Late Imperial China –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/captive-beauties-depictions-of-women-in-late-imperial-china

December 14, 2019 – November 28, 2021 | Gallery 203 | Free Exhibition Beautiful yet lonely and melancholy—women from imperial China were often depicted in terms of their highly circumscribed lives, which were entirely dependent upon men. In some paintings, women engage in duties appropriate to their stations in life, according to patriarchal Confucian principles
Chinese, 18th century, The Singer Su Xiaoxiao, 1746, Ink and light color on paper, Gift

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The Abstract Worlds of Yoshida Hodaka and Chizuko –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/abstract-worlds-of-yoshida-hodaka-and-chizuko

September 20, 2025 – June 28, 2026 | Galleries 251, 252, and 253 | Free Exhibition Yoshida Hodaka (1926–1995) was born into a family of artists. He was the second son of Yoshida Hiroshi (1876–1950), a leading Western-style artist in Japan during the early 20th century
Gift of the Clark Center for Japanese Art & Culture; formerly given to the Center

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George Morrison in Focus –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/george-morrison-in-focus

October 21, 2017 – July 1, 2018 | Gallery 375 | Free Exhibition George Morrison (1919–2000) constantly explored new ways to translate nature and personal experience. Born near Grand Marais, Minnesota, Morrison trained in Minneapolis before moving to New York in 1943
Morrison American (Grand Portage Anishinaabe), 1919-2000 Untitled, 1960 Oil on canvas Gift

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Artists Reflect: Contemporary Views on the American War –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/artists-reflect-contemporary-views-on-the-american-war

September 29, 2019 – January 5, 2020 | Target Gallery | General Admission $20; My Mia Member $16; Investor+ Free; Youth 17 and Under Free Tickets on sale now. General Admission $20 My Mia Member $16 Investor+ Free Youth 17 and Under Free Mia’s companion exhibition to „Artists Respond: American Art and the Vietnam War, 1965-1975“ features drawings, textiles, video, photography, and installations made by artists from the Southeast Asian diaspora who have been deeply engaged with the impact and legacy of the American War in Vietnam. The artists reflect on migration, memory, the effect of violence on the landscape and on communities, healing, and trauma. The Twin Cities is home to a large Southeast Asian population, many of whom arrived in the wake of the war
, 1972, 22, From the 50-panel series Hmong Migration, 1993-2001, Oil on canvas, Gift

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