Dein Suchergebnis zum Thema: Gift

Survival of the Fittest: Lessons from La Fontaine in Textile and Porcelain –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/survival-of-the-fittest-lessons-from-la-fontaine-in-textile-and-porcelain

February 15, 2025 – August 17, 2025 | Robert and Marlyss White Gallery (Gallery 281) | Free Exhibition Jean de La Fontaine (1621–1695) taught children how to live in a dictatorship. His Fables depict a world of talking animals, but the lessons they teach are about power’s abuses and the skills needed to survive. From their first publication in 1668 during the absolutist reign of King Louis XIV, Fables captivated artists, who illustrated scenes from the tales on a variety of surfaces
Gift of Carolyn T. Groves, 2007.12.1.

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Living Rooms | Made in China: The MacFarlane Room Wallpaper –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/living-rooms-made-in-china-the-macfarlane-room-wallpaper-2

May 12, 2015 – December 29, 2019 | G328 | Free Mia created the MacFarlane Memorial Room in the mid-1970s to display hand-painted Chinese export wallpapers, made in the late 1700s or early 1800s and given to the museum by Mabel MacFarlane in 1967. The room is usually furnished with Federal-style American furniture, given to the museum by the MacFarlane family, and represents a parlor in the home of a wealthy New England family. For this special installation focusing on the wallpaper, we have removed the furnishings and invite visitors to come inside, sit down, and let their eyes wander over the wallpaper’s many lively scenes of a Chinese New Year festival in a noble family’s garden. This project is part of Living Rooms, an initiative to present Mia’s historic interiors and decorative arts collections in new ways. Generous support for this project provided by the MacFarlane Memorial Room Fund of the Minneapolis Foundation. Generous support for Living Rooms provided by the National Endowment for the Arts and donors at the 2014 Mia Gala.
content Chinese, for export Wallpaper, late 1700s or early 1800s Pigments on paper Gift

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Abstract Prints by Hagiwara Hideo –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/abstract-prints-by-hagiwara-hideo

December 14, 2019 – May 23, 2021 | Gallery 226, 227, 237 | Free Exhibition Originally a painter trained in oil, Hagiwara Hideo (1913–2007) became ill with tuberculosis and turned to printmaking in 1954. From the start his prints were of an abstract nature, and for 50 years he was a constant innovator in his choice of motifs, style, and technique
the series Thirty-six Fuji, 1981-1986, Woodblock print; ink and color on paper, Gift

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Rembrandt in Conversation –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/rembrandt-in-conversation

July 16, 2020 – March 21, 2021 | The Winton Jones Gallery for Prints and Drawings (Gallery 344) | Free Exhibition A main thread in the history of art is the centuries-long conversation between artists. Many paid attention to what others had done or were doing and then responded— sometimes obviously, sometimes not; sometimes approvingly, sometimes not
Ladd Collection, gift of Herschel V.

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Picasso Cuts the Bull –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/picasso-cuts-the-bull

April 6, 2019 – January 19, 2020 | Gallery 353 | Free Exhibition Pablo Picasso innovated in almost all art media, from painting and sculpture to book arts and printmaking. Mia recently acquired a rare group of prints that show his exploration into a novel printmaking technique: the reduction linocut
Longfellow Fund for Works on Paper, and gift of funds from Barbara S.

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George Morrison: Drawings and Small Paintings –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/george-morrison-drawings-and-small-paintings

October 21, 2017 – July 1, 2018 | Gallery 353 | Free Exhibition George Morrison (1919–2000) was a renowned Anishinaabe modernist from Minnesota whose visionary work was inspired by the natural world, a profound sense of place, and Native American thought and culture. Morrison believed that nature, particularly the sky and water, held a spiritual vitality, a transcendent force that could be experienced through an aesthetic rooted in abstraction and surrealism.  Emotive, personal, intuitive, and organic, Morrison’s approach was also deeply introspective, with Minnesota landscapes and the shoreline of Lake Superior serving as his principal subjects
Portage Anishinaabe), 1919-2000 Untitled, 1994 Colored pencil and ink on paper Gift

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And More by More They Dream Their Sleep: Mezzotints by Yōzō Hamaguchi Part II –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/and-more-by-more-they-dream-their-sleep-mezzotints-by-yozo-hamaguchi

August 2, 2025 – April 5, 2026 | G226, 227 | Free Exhibition Yōzō Hamaguchi (1909–2000) was a master of color mezzotints, a technique that allowed printmakers to reproduce complex details of an artwork. Photography had rendered it obsolete by the 1900s, but Hamaguchi revived the technique after encountering it during a stay in Paris in the 1930s
Gift of Charles and Robyn Citrin. 2023.101.8 And More by More They Dream Their Sleep

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Nature in Monochrome: Birds and Flowers in Japanese Ink Painting –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/nature-in-monochrome-birds-and-flowers-in-japanese-ink-painting

February 9, 2019 – October 27, 2019 | G221, 222, 223 | Free Exhibition Birds and flowers are popular motifs in all types of Japanese art, but it was in the 1300s that Japanese painters began painting pictures of these subjects in ink alone. Painters took up the brush to create small vignettes of nature in shades of black on paper or silk, inspired by Chinese paintings then being imported to Japan
hanging scrolls; ink on paper, 15 1/16 × 22 3/4 in., Mary Griggs Burke Collection, Gift

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The Enduring Soul –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-enduring-soul

October 26, 2019 – April 4, 2021 | Gallery 375 | Free Exhibition A collaboration of Mia and the Cultural Wellness Center, „The Enduring Soul“ presents artwork by African and African American artists that honors the connection between ancestors and the living, and between what is seen and the invisible. The artworks on view hold historical, personal, and community memory. Mia and the Cultural Wellness Center work to co-create methods for each organization to transform mainstream institutions
Ancient King (detail), 1987, paint on wood, the Ethel Morrison Van Derlip Fund and gift

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