Dein Suchergebnis zum Thema: Gift

The Poetic Abstractions of Maki Haku: Prints from the Kimm-Grufferman Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-poetic-abstractions-of-maki-haku-prints-from-the-kimm-grufferman-collection

June 4, 2022 – April 9, 2023 | Galleries 226, 227, 237 | Free Exhibition Writing, geometric forms, and textures collide in the works of Maki Haku (1924-2000). Although he never received formal training, Maki learned about printmaking by associating with artists of sōsaku hanga (creative print movement), who valued the artist’s hand in the creation of prints
-2000, Flower Song – 3, 1968, woodblock print; ink and color on embossed paper, Gift

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Parska/Shada –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/parska-shada

August 21, 2021 – August 21, 2022 | Gallery 255 | Free Exhibition Explore Mia’s collection of Pueblo art highlighting Keresan, Tewa, Towa, and Hopi voices and culture. Curated by Juan Lucero (Isleta Pueblo), Mia’s Mdewakanton Native Art Fellow, this exhibition transports visitors to the oldest villages in the United States for a parska (in Keresan) or shada (in Tewa) community dance
on paper Gift of Vanessa Laird and Timothy Raylor 2014.149.62 Parska/Shada Parska

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Tibetan Buddhist Shrine Room: The Alice S. Kandell Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/tibetan-buddhist-shrine-room-the-alice-s-kandell-collection

September 14, 2024 – June 30, 2027 | Gallery 256 | Free Exhibition „Tibetan Buddhist Shrine Room: The Alice S. Kandell Collection“ includes more than 200 gilt-bronze sculptures, paintings, silk hangings, and carpets that were created in Tibet between the 1300s and early 1900s
Promised Gift of Alice S.

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Fukuda Kodōjin: Japan’s Great Poet and Landscape Artist –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/fukuda-kodojin-japans-great-poet-and-landscape-artist

April 22, 2023 – July 23, 2023 | Galleries 237, 238, 239, 251, 252, 253 | Free Exhibition Fukuda Kodōjin (1865–1944) was one of a handful of scholar-artists who continued the tradition of Japanese literati painting (nanga) after 1900. Kodōjin’s painting style is characterized by bizarrely shaped mountain forms rendered in vivid color or monochromatic ink that often include a solitary scholar enjoying the expansive beauty of nature
(detail), hanging scroll, ink and color on silk, Minneapolis Institute of Art, Gift

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A World of Radiant Awakening: Buddhism and the Painting of China –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/a-world-of-radiant-awakening-buddhism-and-the-painting-of-china

March 18, 2017 – March 18, 2018 | The Sit Gallery (G203) | Free Exhibition Buddhism has been a dominant religious and intellectual force in China since it arrived from India around 100 C.E. Both literati and professional artists created Chinese Buddhist paintings
(1644–1911) Two Versions of Bodhisattva Guanyin, c. 1750 Ink and colors on silk Gift

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Félix Bracquemond: Etcher of Birds –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/felix-bracquemond-etcher-of-birds

November 26, 2016 – May 7, 2017 | The Winton Jones Print and Drawing Gallery – Gallery 344 | Free Exhibition Printmaker Félix Bracquemond (1833–1914) ruled the roost in mid-1800s France by reviving interest in etching, a technique made famous by Rembrandt. Bracquemond led the way with his printmaking excellence and innovation, attempting the century’s first color etching and adopting design ideas from Japanese woodcuts, which he is credited with discovering in a Paris shop
Ladd Collection, gift of Herschel V.

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Living Rooms | The Jane Austen Reading Room –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/living-rooms-the-jane-austen-reading-room

November 21, 2015 – April 2, 2017 | G326 and G327 | Free This installation situates one of the greatest authors of English literature, Jane Austen, in a unique period room setting. Taking up two of Mia’s well-loved English interiors—the Queen Anne room and the Georgian Drawing room—this display will discuss Austen’s habits as a reader and writer, recreate scenes from her novel Emma (celebrating its 200th birthday in 2015), and invite museum visitors to read works that Austen read, wrote, or inspired. This project is part of Living Rooms, an initiative to present Mia’s historic interiors and decorative arts collections in new ways. Generous support for this project provided by the MacFarlane Memorial Room Fund of the Minneapolis Foundation
content The Jane Austen Reading Room England, Queen Anne room, c. 1720–1730, Oak Gift

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Amano Kazumi: Prints from the Kimm-Grufferman Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/amano-kazumi-prints-from-the-kimm-grufferman-collection

May 29, 2021 – May 29, 2022 | Gallery 226, 227, 237 | Free exhibition In 1964, a young David Hockney won First Prize at the International Exhibition of Drawings and Engravings in Lugano, Switzerland; at the same event, Amano Kazumi received an excellence award for prints of his abstract Moral series. Amano first studied under Munakata Shikō, Japan’s best-known contemporary print artist, who is famous for his roughly executed black-and-white designs
, Self-figure (Mirror), 1965, woodblock print; ink and color on embossed paper, Gift

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Seven Masters: 20th-Century Japanese Woodblock Prints from the Wells Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/seven-masters-20th-century-japanese-woodblock-prints-from-the-wells-collection

September 26, 2015 – March 13, 2016 | U. S. Bank Gallery | Free Exhibition Seven Masters focuses on seven artists who played a significant role in the development of early 20th-century shin hanga, the new print, and are noteworthy representatives of this movement. Drawing from the collection of Ellen and Fred Wells at the Minneapolis Institute of Art, it features the spectacular beauty portraits of Hashiguchi Goyō (1880–1921), Itō Shinsui (1898–1972), Yamakawa Shūhō (1898–1944), and Torii Kotondo (1900–1976), the striking actors of Yamamura Toyonari/Kōka (1886–1942) and Natori Shunsen (1886–1960), as well as the evocative landscapes of Kawase Hasui (1883–1957)
Gift of Ellen and Fred Wells 2002.161.70 Seven Masters: 20th-Century Japanese Woodblock

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