Dein Suchergebnis zum Thema: Gift

September 23, 2017 – February 18, 2018 | Perlman Gallery, Gallery 368 | Free Exhibition This exhibition features works created during the 1920s and 1930s from the collections of Mia and Al and Ingrid Lenz Harrison. These artworks are contemporaneous to August Sander’s People of the Twentieth Century portraits, shown in „New Pictures: Omer Fast, Appendix.“ Primarily showcasing images drawn from Mia’s photographic collection, the exhibition also includes prints, drawings, sculptures, and a painting created by artists in Germany during the Weimar Republic
with Mirror, 1928 Gelatin silver print (printed 1984) The Modernism Collection, gift

July 12, 2025 – November 30, 2025 | Harrison Photography Gallery (365) | Free Exhibition Photography’s mechanical origins have sometimes relegated the medium to that of a tool. The impulse to alter, embellish, and add soon became standard photographic practice
Gift of Mary and Bob Mersky. 2020.96.19.

April 22, 2023 – July 23, 2023 | Galleries 237, 238, 239, 251, 252, 253 | Free Exhibition Fukuda Kodōjin (1865–1944) was one of a handful of scholar-artists who continued the tradition of Japanese literati painting (nanga) after 1900. Kodōjin’s painting style is characterized by bizarrely shaped mountain forms rendered in vivid color or monochromatic ink that often include a solitary scholar enjoying the expansive beauty of nature
(detail), hanging scroll, ink and color on silk, Minneapolis Institute of Art, Gift

March 18, 2017 – March 18, 2018 | The Sit Gallery (G203) | Free Exhibition Buddhism has been a dominant religious and intellectual force in China since it arrived from India around 100 C.E. Both literati and professional artists created Chinese Buddhist paintings
(1644–1911) Two Versions of Bodhisattva Guanyin, c. 1750 Ink and colors on silk Gift

July 19, 2014 – April 19, 2015 | Galleries 315 and 316 | Free Exhibition Artists have long been drawn to the complicated murk of murder, from the biblical and quranic stories of Cain and Abel (the first murderer and first victim), to the horrific deaths of Jesus and early Christian martyrs, to gut-wrenching accounts of modern-day homicide. Murder is inevitably traumatic, a tragic narrative unfolding from the crime to its consequences. It is this story, whether arising from persecution, criminal intent, or a depraved sense of passion, that artists find so intriguing. Today, with murder constantly in the news—if it bleeds, it leads—and saturating our entertainment, from video games to mystery novels, we may be desensitized to its frightening reality
Honoré Daumier French, 1808-1879 Rue Transnonain, le 15 Avril, 1834 Lithograph Gift

Denver Art Museum: Gift of the Stapleton Foundation of Latin American Colonial Art

August 22, 2020 – November 29, 2020 | Cargill Gallery | Free Exhibition Often controversial, never boring, Frank Gaard is known for his cartoonish depictions of everyday life. This exhibition pulls out never-before-seen sketches and prints, alongside works from Mia’s collection
main content Frank Gaard, Untitled (For John and Alice), 1975, acrylic on canvas, gift

May 16, 2019 – August 4, 2019 | Cargill Gallery | Free Exhibition Explore Minnesota’s little-known historic couture fashion industry and learn about the female artisans who led it. Minneapolis and St
Koehler American, 1850-1917 Rainy Evening on Hennepin Avenue, c. 1902 Oil on canvas Gift

June 4, 2022 – April 9, 2023 | Galleries 226, 227, 237 | Free Exhibition Writing, geometric forms, and textures collide in the works of Maki Haku (1924-2000). Although he never received formal training, Maki learned about printmaking by associating with artists of sōsaku hanga (creative print movement), who valued the artist’s hand in the creation of prints
-2000, Flower Song – 3, 1968, woodblock print; ink and color on embossed paper, Gift

September 13, 2025 – March 22, 2026 | Galleries 315 and 316 | Free Exhibition “Gatsby at 100” explores how F. Scott Fitzgerald’s novel The Great Gatsby shaped—and was shaped by—the visual art of his time
Gift of Mr. Anthony M. Clark, 1964.