Dein Suchergebnis zum Thema: Gift

Seven Masters: 20th-Century Japanese Woodblock Prints from the Wells Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/seven-masters-20th-century-japanese-woodblock-prints-from-the-wells-collection

September 26, 2015 – March 13, 2016 | U. S. Bank Gallery | Free Exhibition Seven Masters focuses on seven artists who played a significant role in the development of early 20th-century shin hanga, the new print, and are noteworthy representatives of this movement. Drawing from the collection of Ellen and Fred Wells at the Minneapolis Institute of Art, it features the spectacular beauty portraits of Hashiguchi Goyō (1880–1921), Itō Shinsui (1898–1972), Yamakawa Shūhō (1898–1944), and Torii Kotondo (1900–1976), the striking actors of Yamamura Toyonari/Kōka (1886–1942) and Natori Shunsen (1886–1960), as well as the evocative landscapes of Kawase Hasui (1883–1957)
Gift of Ellen and Fred Wells 2002.161.70 Seven Masters: 20th-Century Japanese Woodblock

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The Three Perfections: Image, Poem, and Calligraphy in Chinese Painting –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-three-perfections-image-poem-and-calligraphy-in-chinese-painting

December 18, 2021 – December 4, 2022 | Gallery 203 | Free Exhibition Western viewers are often curious about why Chinese artists write on their paintings and what the characters say. This exhibition answers such questions and explores the idea of integrating fine painting, poetry, and calligraphy, known as the “Three Perfections,” in a single artwork
(image), Ink on paper, Gift of Ruth and Bruce Dayton 95.54.2 The Three Perfections

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Abstract Prints by Hagiwara Hideo –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/abstract-prints-by-hagiwara-hideo

December 14, 2019 – May 23, 2021 | Gallery 226, 227, 237 | Free Exhibition Originally a painter trained in oil, Hagiwara Hideo (1913–2007) became ill with tuberculosis and turned to printmaking in 1954. From the start his prints were of an abstract nature, and for 50 years he was a constant innovator in his choice of motifs, style, and technique
the series Thirty-six Fuji, 1981-1986, Woodblock print; ink and color on paper, Gift

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Rembrandt in Conversation –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/rembrandt-in-conversation

July 16, 2020 – March 21, 2021 | The Winton Jones Gallery for Prints and Drawings (Gallery 344) | Free Exhibition A main thread in the history of art is the centuries-long conversation between artists. Many paid attention to what others had done or were doing and then responded— sometimes obviously, sometimes not; sometimes approvingly, sometimes not
Ladd Collection, gift of Herschel V.

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Picasso Cuts the Bull –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/picasso-cuts-the-bull

April 6, 2019 – January 19, 2020 | Gallery 353 | Free Exhibition Pablo Picasso innovated in almost all art media, from painting and sculpture to book arts and printmaking. Mia recently acquired a rare group of prints that show his exploration into a novel printmaking technique: the reduction linocut
Longfellow Fund for Works on Paper, and gift of funds from Barbara S.

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George Morrison: Drawings and Small Paintings –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/george-morrison-drawings-and-small-paintings

October 21, 2017 – July 1, 2018 | Gallery 353 | Free Exhibition George Morrison (1919–2000) was a renowned Anishinaabe modernist from Minnesota whose visionary work was inspired by the natural world, a profound sense of place, and Native American thought and culture. Morrison believed that nature, particularly the sky and water, held a spiritual vitality, a transcendent force that could be experienced through an aesthetic rooted in abstraction and surrealism.  Emotive, personal, intuitive, and organic, Morrison’s approach was also deeply introspective, with Minnesota landscapes and the shoreline of Lake Superior serving as his principal subjects
Portage Anishinaabe), 1919-2000 Untitled, 1994 Colored pencil and ink on paper Gift

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And More by More They Dream Their Sleep: Mezzotints by Yōzō Hamaguchi Part II –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/and-more-by-more-they-dream-their-sleep-mezzotints-by-yozo-hamaguchi

August 2, 2025 – April 5, 2026 | G226, 227 | Free Exhibition Yōzō Hamaguchi (1909–2000) was a master of color mezzotints, a technique that allowed printmakers to reproduce complex details of an artwork. Photography had rendered it obsolete by the 1900s, but Hamaguchi revived the technique after encountering it during a stay in Paris in the 1930s
Gift of Charles and Robyn Citrin. 2023.101.8 And More by More They Dream Their Sleep

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Nature in Monochrome: Birds and Flowers in Japanese Ink Painting –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/nature-in-monochrome-birds-and-flowers-in-japanese-ink-painting

February 9, 2019 – October 27, 2019 | G221, 222, 223 | Free Exhibition Birds and flowers are popular motifs in all types of Japanese art, but it was in the 1300s that Japanese painters began painting pictures of these subjects in ink alone. Painters took up the brush to create small vignettes of nature in shades of black on paper or silk, inspired by Chinese paintings then being imported to Japan
hanging scrolls; ink on paper, 15 1/16 × 22 3/4 in., Mary Griggs Burke Collection, Gift

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The Abstract Worlds of Yoshida Hodaka and Chizuko –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/abstract-worlds-of-yoshida-hodaka-and-chizuko

September 20, 2025 – June 28, 2026 | Galleries 251, 252, and 253 | Free Exhibition Yoshida Hodaka (1926–1995) was born into a family of artists. He was the second son of Yoshida Hiroshi (1876–1950), a leading Western-style artist in Japan during the early 20th century
Gift of the Clark Center for Japanese Art & Culture; formerly given to the Center

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George Morrison in Focus –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/george-morrison-in-focus

October 21, 2017 – July 1, 2018 | Gallery 375 | Free Exhibition George Morrison (1919–2000) constantly explored new ways to translate nature and personal experience. Born near Grand Marais, Minnesota, Morrison trained in Minneapolis before moving to New York in 1943
Morrison American (Grand Portage Anishinaabe), 1919-2000 Untitled, 1960 Oil on canvas Gift

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