Dein Suchergebnis zum Thema: Gift

George Morrison in Focus –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/george-morrison-in-focus

October 21, 2017 – July 1, 2018 | Gallery 375 | Free Exhibition George Morrison (1919–2000) constantly explored new ways to translate nature and personal experience. Born near Grand Marais, Minnesota, Morrison trained in Minneapolis before moving to New York in 1943
Morrison American (Grand Portage Anishinaabe), 1919-2000 Untitled, 1960 Oil on canvas Gift

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Artists Reflect: Contemporary Views on the American War –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/artists-reflect-contemporary-views-on-the-american-war

September 29, 2019 – January 5, 2020 | Target Gallery | General Admission $20; My Mia Member $16; Investor+ Free; Youth 17 and Under Free Tickets on sale now. General Admission $20 My Mia Member $16 Investor+ Free Youth 17 and Under Free Mia’s companion exhibition to „Artists Respond: American Art and the Vietnam War, 1965-1975“ features drawings, textiles, video, photography, and installations made by artists from the Southeast Asian diaspora who have been deeply engaged with the impact and legacy of the American War in Vietnam. The artists reflect on migration, memory, the effect of violence on the landscape and on communities, healing, and trauma. The Twin Cities is home to a large Southeast Asian population, many of whom arrived in the wake of the war
, 1972, 22, From the 50-panel series Hmong Migration, 1993-2001, Oil on canvas, Gift

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Life at the Edge of Empire: North America, c. 1760–1812 –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/life-at-the-edge-of-empire-north-america-c-1760-1812

February 1, 2019 – November 29, 2020 | Charleston Dining Room and Charleston Drawing Room, G336 and 337 | Free Exhibition For North Americans living in the late 1700s and early 1800s—whether free or enslaved, Native American, or of African or European descent—a common set of historical forces impacted life, albeit in very different ways. The experiences of territorial conflict, international diplomacy, trade, and shifting national identities are explored through the artworks and furnishings installed in the 1772 Charleston Dining and Drawing Rooms, from the home of John Stuart, the superintendent of Indian Affairs for Britain’s southern colonies in North America. This project is part of Living Rooms, an initiative to present Mia’s historic interiors and decorative arts collections in new ways. Mia gratefully acknowledges the support and contributions of the many individuals and communities whose histories are told in this exhibition. Generous support provided by the National Endowment for the Arts and donors at the 2014 Mia Gala. Additional support provided by the Chipstone Foundation.
Skip to main content Charleston Drawing Room, 1772, cypress, paint, gift of James

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Fly Zine Archive: A Chronicle of Punk, Queer, and Anarchist Counterculture –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-fly-zine-archive-a-chronicle-of-punk-queer-and-anarchist-counterculture

July 16, 2021 – April 24, 2022 | Gallery 315 | Free Exhibition This exhibition introduces Mia’s groundbreaking acquisition of the Fly Zine Archive, a thematically focused collection of nearly 2,000 zines, comics, and underground publications by a diverse range of punk, anarchist, feminist, and LGBTQ+ artists and writers active in the United States, Europe, and elsewhere. Compiled by the New York–based artist and activist Fly NYC, the archive chronicles the graphic art and printed ephemera connecting the alternative subcultures that flourished in urban centers in the 1980s, 1990s, and early 2000s
bound volume, Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift

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Art in the Age of Globalization –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/art-in-the-age-of-globalization

September 16, 2012 – July 14, 2013 | Target Wing | Free Exhibition Spanning centuries and originating in nearly every place on Earth, the artworks in these galleries explore significant aspects of the world’s evolving cultures. „Art in the Age of Globalization“ presents eight installations, or „mini-exhibitions,“ each designed around a specific narrative or theme related to globalization
Gift of Joe Langer.

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Fukuda Kodōjin: Japan’s Great Poet and Landscape Artist –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/fukuda-kodojin-japans-great-poet-and-landscape-artist

April 22, 2023 – July 23, 2023 | Galleries 237, 238, 239, 251, 252, 253 | Free Exhibition Fukuda Kodōjin (1865–1944) was one of a handful of scholar-artists who continued the tradition of Japanese literati painting (nanga) after 1900. Kodōjin’s painting style is characterized by bizarrely shaped mountain forms rendered in vivid color or monochromatic ink that often include a solitary scholar enjoying the expansive beauty of nature
(detail), hanging scroll, ink and color on silk, Minneapolis Institute of Art, Gift

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A World of Radiant Awakening: Buddhism and the Painting of China –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/a-world-of-radiant-awakening-buddhism-and-the-painting-of-china

March 18, 2017 – March 18, 2018 | The Sit Gallery (G203) | Free Exhibition Buddhism has been a dominant religious and intellectual force in China since it arrived from India around 100 C.E. Both literati and professional artists created Chinese Buddhist paintings
(1644–1911) Two Versions of Bodhisattva Guanyin, c. 1750 Ink and colors on silk Gift

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Tanaka Ryōhei: Portrait of a Home –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/tanaka-ryohei-portrait-of-a-home

February 10, 2024 – November 10, 2024 | Gallery 226, 227 | Free Exhibition Tanaka Ryōhei (1933–2019) was a prolific Japanese printmaker who specialized in etchings. Born and raised in Takatsuki, he grew up surrounded by the rural landscapes of western Japan, which would become the subject of his prints
Gift of Sue Y.S.

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Bizen: Contemporary Expressions of an Ancient Japanese Pottery –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/bizen-contemporary-expressions-of-an-ancient-japanese-pottery

June 1, 2024 – February 16, 2025 | Gallery 251, 252, 253 | Free Exhibition Bizen ware, characterized by its rich reddish-brown clay with natural ash glaze, is one of Japan’s six pottery traditions. Originating from today’s Okayama prefecture on the Seto Inland Sea, its history reaches back to the 14th century
vessel, 2015, Bizen ware; stoneware with natural ash glaze and hidasuki marks, Gift

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