Dein Suchergebnis zum Thema: Gift

July 19, 2014 – April 19, 2015 | Galleries 315 and 316 | Free Exhibition Artists have long been drawn to the complicated murk of murder, from the biblical and quranic stories of Cain and Abel (the first murderer and first victim), to the horrific deaths of Jesus and early Christian martyrs, to gut-wrenching accounts of modern-day homicide. Murder is inevitably traumatic, a tragic narrative unfolding from the crime to its consequences. It is this story, whether arising from persecution, criminal intent, or a depraved sense of passion, that artists find so intriguing. Today, with murder constantly in the news—if it bleeds, it leads—and saturating our entertainment, from video games to mystery novels, we may be desensitized to its frightening reality
Honoré Daumier French, 1808-1879 Rue Transnonain, le 15 Avril, 1834 Lithograph Gift

May 29, 2021 – May 29, 2022 | Gallery 226, 227, 237 | Free exhibition In 1964, a young David Hockney won First Prize at the International Exhibition of Drawings and Engravings in Lugano, Switzerland; at the same event, Amano Kazumi received an excellence award for prints of his abstract Moral series. Amano first studied under Munakata Shikō, Japan’s best-known contemporary print artist, who is famous for his roughly executed black-and-white designs
, Self-figure (Mirror), 1965, woodblock print; ink and color on embossed paper, Gift

February 16, 2019 – November 3, 2019 | Gallery 255 | Free Exhibition To make barkcloth, a traditional form of clothing, Mbuti men collect pieces of the inner bark of fig trees, and pound them until they are thin and pliable. Mbuti women decorate the surfaces with intricate designs, using twigs and their fingers to apply dyes made from plant saps and charcoal powder
pigment The Mary Ruth Weisel Endowment for Africa, Oceania, and the Americas and gift

April 22, 2017 – June 10, 2018 | Queen Anne Room and Georgian Room, G326 and 327 | Free Exhibition In 1700s England, the home was a place where genteel men and women studied and conversed about natural history; only later did science move exclusively to the laboratory, where it became a predominantly male profession. This temporary exhibition presents Mia’s British rooms as places for the pursuit of science
Artists Visit Programs Support About Shop Georgian Drawing Room, c. 1740 Pine Gift

December 14, 2019 – November 28, 2021 | Gallery 203 | Free Exhibition Beautiful yet lonely and melancholy—women from imperial China were often depicted in terms of their highly circumscribed lives, which were entirely dependent upon men. In some paintings, women engage in duties appropriate to their stations in life, according to patriarchal Confucian principles
Chinese, 18th century, The Singer Su Xiaoxiao, 1746, Ink and light color on paper, Gift

June 4, 2022 – April 9, 2023 | Galleries 226, 227, 237 | Free Exhibition Writing, geometric forms, and textures collide in the works of Maki Haku (1924-2000). Although he never received formal training, Maki learned about printmaking by associating with artists of sōsaku hanga (creative print movement), who valued the artist’s hand in the creation of prints
-2000, Flower Song – 3, 1968, woodblock print; ink and color on embossed paper, Gift

Denver Art Museum: Gift of the Stapleton Foundation of Latin American Colonial Art

August 21, 2021 – August 21, 2022 | Gallery 255 | Free Exhibition Explore Mia’s collection of Pueblo art highlighting Keresan, Tewa, Towa, and Hopi voices and culture. Curated by Juan Lucero (Isleta Pueblo), Mia’s Mdewakanton Native Art Fellow, this exhibition transports visitors to the oldest villages in the United States for a parska (in Keresan) or shada (in Tewa) community dance
on paper Gift of Vanessa Laird and Timothy Raylor 2014.149.62 Parska/Shada Parska

May 16, 2019 – August 4, 2019 | Cargill Gallery | Free Exhibition Explore Minnesota’s little-known historic couture fashion industry and learn about the female artisans who led it. Minneapolis and St
Koehler American, 1850-1917 Rainy Evening on Hennepin Avenue, c. 1902 Oil on canvas Gift

September 23, 2017 – February 18, 2018 | Perlman Gallery, Gallery 368 | Free Exhibition This exhibition features works created during the 1920s and 1930s from the collections of Mia and Al and Ingrid Lenz Harrison. These artworks are contemporaneous to August Sander’s People of the Twentieth Century portraits, shown in „New Pictures: Omer Fast, Appendix.“ Primarily showcasing images drawn from Mia’s photographic collection, the exhibition also includes prints, drawings, sculptures, and a painting created by artists in Germany during the Weimar Republic
with Mirror, 1928 Gelatin silver print (printed 1984) The Modernism Collection, gift