Dein Suchergebnis zum Thema: Gift

February 14, 2026 – August 2, 2026 | Robert and Marlyss White Gallery (281) | Free Exhibition Derived from a Nahuatl word, a huipil is a traditional blouse worn by women throughout Mesoamerica, particularly among the Maya, since before the 16th century when Spanish explorers arrived in the region. The garment remains especially prevalent in Guatemala’s highland regions, where a majority of Maya descendants reside today. Huipiles are traditionally handwoven on a backstrap loom in two or three rectangular panels, later sewn together
Gift of Richard L. Simmons in memory of Roberta G.

February 10, 2024 – November 10, 2024 | Gallery 226, 227 | Free Exhibition Tanaka Ryōhei (1933–2019) was a prolific Japanese printmaker who specialized in etchings. Born and raised in Takatsuki, he grew up surrounded by the rural landscapes of western Japan, which would become the subject of his prints
Gift of Sue Y.S.

June 1, 2024 – February 16, 2025 | Gallery 251, 252, 253 | Free Exhibition Bizen ware, characterized by its rich reddish-brown clay with natural ash glaze, is one of Japan’s six pottery traditions. Originating from today’s Okayama prefecture on the Seto Inland Sea, its history reaches back to the 14th century
vessel, 2015, Bizen ware; stoneware with natural ash glaze and hidasuki marks, Gift

August 1, 2015 – March 27, 2016 | Gallery 353 | Free exhibition Like a tree pruned one too many times, some of the museum’s finest artworks have been forced to stay quiet. These are watercolors, pastels, gouaches, charcoals, and ink drawings that are rarely exhibited out of concern for their light-sensitive materials
Landscape with Trees near Hillegom, c. 1800 Black chalk with brush and gray wash Gift

February 10, 2024 – May 5, 2024 | Cargill Gallery | Free Exhibition From the dragon’s first appearance in art some eight to nine thousand years ago, during the early Neolithic period, these ferocious beasts have occupied an honored place in Chinese culture. Their majestic power has inspired art in nearly every medium—jade to bronze, ceramics to paintings
China, Tang dynasty (618-907), Pair of flying dragons, 8th century, gilt bronze, Gift

March 12, 2022 – July 31, 2022 | Harrison Photography Gallery | Free Exhibition Photographs are both things and ideas. Before they were pixels on a smartphone or stashed up in the cloud, photographs were objects printed on tangible goods
Time – (B), 1985, Kenji Nakahashi, Japanese, 1947 – 2017, Gelatin silver print, Gift

October 26, 2019 – April 4, 2021 | Gallery 375 | Free Exhibition A collaboration of Mia and the Cultural Wellness Center, „The Enduring Soul“ presents artwork by African and African American artists that honors the connection between ancestors and the living, and between what is seen and the invisible. The artworks on view hold historical, personal, and community memory. Mia and the Cultural Wellness Center work to co-create methods for each organization to transform mainstream institutions
Ancient King (detail), 1987, paint on wood, the Ethel Morrison Van Derlip Fund and gift

April 23, 2022 – December 11, 2022 | Perlman Gallery | Free Exhibition In this striking series of images, visual artist Yee I-Lann creates graphically distinctive photographic assemblages to address the legacies of Dutch colonialism in Indonesia and elsewhere in Southeast Asia. By appropriating historical photographs sourced from colonial archives in the Netherlands, and arranging them with her own photography, the artist provides new grounds for interpreting the visual record of imperialism in Southeast Asia
reflective of one’s own kind, 2013 (printed 2015), Giclée print on Hahnemühle paper, Gift

September 24, 2016 – June 11, 2017 | Galleries 315, 316 | Free Exhibition Die Neuen Wilden (The New Wild Ones) was an informal group of young Neo-Expressionist artists active in Germany from the mid-1970s to the early 1990s. Taking a cue from German Expressionist art of the early 20th century, Neo-Expressionism was bold, raw, brutish, spontaneous, messy, vital, emotional, sensual, antimodern, antiprogressive, and at times nihilistic, denying any meaning in life
Erste Konzentration I” (First Concentration I) portfolio Woodcut​; ​edition of 50 Gift

December 7, 2019 – October 18, 2020 | Gallery 275 | Free Exhibition Showcased here is a selection of fiber artworks acquired over the past five years by Mia’s Department of Decorative Arts, Textiles, and Sculpture. The term “fiber art” came into being in the years following World War II (1939–45) to describe the work of artists who employed various methods of textile production traditionally recognized as “craft” or “women’s work”: weaving, knitting, crochet, and other techniques
Helena Hernmarck American (born Sweden), born 1941 Moot, 1971 Wool, linen, cotton Gift