Tate glossary definition for readymade: Term used by the French artist Marcel Duchamp to describe works of art he made from manufactured objects
reaction of visual indifference, with at the same time a total absence of good or bad
R1: He wakes up and he realises, like, he’s in a really bad situation with fire around
15 September 1932 Dear Annerl! I’m now sitting here in my brother’s incredible office on the twentieth floor of one of the most beautiful new skyscrapers, the NEWS BUILDING. Two hundred metres from here, out of the window and to the right, stands the CHRYSLER BUILDING, the second tallest building in the world. And not much further to the left stands the EMPIRE STATE. Ten minutes’ walk from the office is the apartment, 2 Beekman Place, and it’s the sort of apartment you would like: plain and simple, a place for only the finest art, and so practical that the …
– and his reading was so garbled, with emphases in all the wrong places, and so bad
get up in the morning but they’re feeling absolutely awful, or something really bad
Just as ‘amoral’ stands directly between good and bad, and so, it seems, Dumas, refuses
Tuesday My Annerl! I really can’t wait to hear from you. I’m annoyed at myself because my will alone isn’t able to bridge the distance between us so I can share this time in London with you. I’d love to know what it smells like in the streets and stairwells there, what you can see from your window, the sounds through which the city speaks to you day and night. I would like so much to be able to wander aimlessly through the fog with you, exploring London together, or to feel the spring sunshine on our backs and the …
of northern Germany, [struck out: trying to get to Stockholm wouldn’t be such a bad
A collection of performances, installations, lectures and discussions (on air – on site – on line) recorded in Vienna, December 1997.
00:00 GX Jupitter Larsen: Noise and the Noiscian 00:30:52 Peter Rehberg: Good, bad
Artist page for John William Buxton Knight (1842–1908)
postman took Buxton Knight a letter, which he opened there, saying it brought him bad
This Audio Arts issue, originally published as a compact disc magazine, includes contributions from Imogen Stidworthy, David Austen, Jemima Stehli, Gavin Turk, Katy Dove, Sarah Morris, Stella Vine and Simon English, recorded from the Liverpool Biennial in 2004.
Vine’s method of painting with its distinctive ‚bad painting‘ characteristics and
filmed interview of artist Gerhard Richter
I was so unsatisfied with what I did and it was a bad painting so you feel helpless
