Dein Suchergebnis zum Thema: Bad

‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 20 February 1933‘, Edward Renouf, recipient: Anny Schey von Koromla, 20 February 1933 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-53/letter-from-edward-renouf-to-anny-schey-von-koromla

Waldfrieden 20 February Annerl! I’m sat here quite distraught over you! I don’t know what I can say or do to make you believe me. Spring is coming, the whole blue sky is sparkling in bright sunshine, the ice is melting, the ground is beginning to swell, and I can hardly wait to jump on a steamer and run straight into your arms . . . . . . . . ! Then I receive these lovely letters from your children, telling me that you dare not write to me for fear of getting in the way of my career! …
how will it ever happen if I’m traipsing around New York selling hair tonic or bad

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‘‘Audio Arts: Volume 21 No 2‘, Audio Arts, 2003‘, Audio Arts, 2003 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200414-7-3-1-64/audio-arts-volume-21-no-2

This Audio Arts issue, originally published as an audio cassette magazine in 2003, includes contributions from Marion Coutts, Wim Wenders, Paul McCarthy, Victor Burgin, John Giorno and Cuauhtemoc Medina.
process. 00:37:43 The American poet John Giorno performing his poem There Was a Bad

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‘‘Letter from Jeanne Bucher to Jacques Lipchitz‘, Jean Bucher, recipient: Jacques Lipchitz, 4 April 1928‘, Jean Bucher, recipient: Jacques Lipchitz, 4 April 1928 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-897-1-1-69-14/letter-from-jeanne-bucher-to-jacques-lipchitz

Full text in translation: ‚Dear Jacques, I am writing you a few words this evening, having thought of this terrible trip you must have taken. Oh my God! that I remember the one I did for my dead brother: at least I thought I couldn’t live any longer, perhaps out of an instinct for self-preservation. It’s too … too … for you. I do not have the courage to say to you: “take care of yourself“, but I believe that there is an intelligence greater than yourself in you which will delay the evils that we are redeeming for you, …
At the same time his sister Evguenia was in a Swiss hospital in a very bad condition

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Not bad

You’re almost there.

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Dame Ethel Walker 1861–1951 | Tate

https://www.tate.org.uk/art/artists/dame-ethel-walker-2115

Artist page for Dame Ethel Walker (1861–1951)
There are only two kinds of artist — bad and good‘, she was elected Honorary President

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‘‘Letter from Erich Kahn to J.P. Hodin‘, Erich Kahn, recipient: Dr J. P. Hodin, 22 August 1958‘, Erich Kahn, recipient: Dr J. P. Hodin, 22 August 1958 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-20062-4-188-5/letter-from-erich-kahn-to-j-p-hodin

[Translation/transcription] 1 Albert Studios 4 Albert Street NW1 22 August 1958 Dear Hodin, Many thanks for your kind card. The exhibition is going so so – not many reviews so far. Pierre Rouve was here for the private view, and Laurence Alloway. Eric Newton also put his name in the guest book. A well-meaning collective critique in The Times is the only thing that has been published so far (anonymously). There are no art reviews at all in the Statesman or the Spectator. I suppose none of them live in London – perhaps next week. The little self-portrait Room II …
I hope the whole family is well and the weather not too bad (as it is here, for example

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‘‘Wood engravings and drawings by Charles Keene‘, collection owner: Charles Samuel Keene, 1846–90‘, collection owner: Charles Samuel Keene, 1846–90 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-766/wood-engravings-and-drawings-by-charles-keene?page=2

This collection, which has now been digitised and made available to view online, includes primarily wood engravings, many of which were used to illustrate ‚Punch‘, and other similar publications, such as ‚Once a Week‘, by Charles Keene. These illustrations cover a substantial part of his career, dating from 1861 to 1888. Also available online are a number of preparatory pencil and ink studies that appear to have informed his wood engravings for ‚Punch‘, as well as etchings, including one early design for and illustration printed in Daniel Defoe’s book, ‚The Life and Surprising Adventures of Robinson Crusoe‘, published in 1847.
Charles Samuel Keene 23 March 1867 View by appointment Wood engraving titled ‘Bad

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‘‘Letter from Erich Kahn to J.P. Hodin‘, Erich Kahn, recipient: Dr J. P. Hodin, 25 May 1967‘, Erich Kahn, recipient: Dr J. P. Hodin, 25 May 1967 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-20062-4-188-52/letter-from-erich-kahn-to-j-p-hodin

[Translation/transcription] 1 Albert Studios 20 Albert Street NW1 25 May 1967 Many thanks for the [illegible] letter and the many other things you’ve taken in hand for me. Now you’ve gone one better by schlepping my folio of etchings over to OK, and OK has written a letter of recommendation to Apollo for his little brother. I’m sure he meant well, and who likes working without appreciation and encouragement, or who else but a hopeless introvert?! Well, the etchings (drypoints for the most part) are a by-product of my life’s work and, as is so often the case, for me …
A bad job for you. I am sorry you went to all that trouble.

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‘‘Wood engravings and drawings by Charles Keene‘, collection owner: Charles Samuel Keene, 1846–90‘, collection owner: Charles Samuel Keene, 1846–90 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-766/wood-engravings-and-drawings-by-charles-keene?page=8

This collection, which has now been digitised and made available to view online, includes primarily wood engravings, many of which were used to illustrate ‚Punch‘, and other similar publications, such as ‚Once a Week‘, by Charles Keene. These illustrations cover a substantial part of his career, dating from 1861 to 1888. Also available online are a number of preparatory pencil and ink studies that appear to have informed his wood engravings for ‚Punch‘, as well as etchings, including one early design for and illustration printed in Daniel Defoe’s book, ‚The Life and Surprising Adventures of Robinson Crusoe‘, published in 1847.
Samuel Keene 2 September 1871 View by appointment Wood engraving titled ‘Too Bad

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