Dein Suchergebnis zum Thema: Adler

Autobiographical and literary texts written by Josef Herman, ranging from fiction and poetry to more factual memoir and various intermediate forms, though all with an autobiographical element. Herman himself appears to have been unconcerned with generic distinctions. Several of these pieces were republished in revised form in ‚Related Twilights: Notes from an artist’s diary‘ (Robson Books, 1975).
Glasgow, where he befriended fellow Jewish émigré artists Benno Schotz and Jankel Adler

Artworks by Josef Herman, including several loose drawings and watercolours, a group of book cover designs, a sketchbook, and an illustrated book.
Glasgow, where he befriended fellow Jewish émigré artists Benno Schotz and Jankel Adler

Tate Archive contains more than one million items on artists, art world figures and art organisations in Britain documenting the history of fine art practice in the UK. This includes letters, writings, sketchbooks, artworks, audio-visual material, etc.
Collection owner: Robert Adams 1925–87 View by appointment Sketchbooks of Jankel Adler

Tate Archive contains more than one million items on artists, art world figures and art organisations in Britain documenting the history of fine art practice in the UK. This includes letters, writings, sketchbooks, artworks, audio-visual material, etc.
Collection owner: Robert Adams 1925–87 View by appointment Sketchbooks of Jankel Adler

Available online are various items selected from the Kurt Schwitters collection featuring writings, correspondence and photographs, particularly relating to Schwitters‘ relationship with Edith Thomas, and the court case between Edith and Kurt Schwitters‘ son, Ernst, regarding the division of Schwitters‘ works following his death. Items from this collection also available online are: private view cards and exhibition catalogues relating to exhibitions featuring Schwitters‘ work; photographs of Schwitters, and his family and friends; and photographs of his works and locations he visited. Further details on this collection are available on the archive catalogue.
recipient: Quarto date not known Edith Thomas’s account of a visit to Jankel Adler

Available online are various items selected from the Kurt Schwitters collection featuring writings, correspondence and photographs, particularly relating to Schwitters‘ relationship with Edith Thomas, and the court case between Edith and Kurt Schwitters‘ son, Ernst, regarding the division of Schwitters‘ works following his death. Items from this collection also available online are: private view cards and exhibition catalogues relating to exhibitions featuring Schwitters‘ work; photographs of Schwitters, and his family and friends; and photographs of his works and locations he visited. Further details on this collection are available on the archive catalogue.
recipient: Quarto date not known Edith Thomas’s account of a visit to Jankel Adler

Artist questionnaire completed by Else Meidner with details of her life and career. [Translation/transcription] I. LIFE AND WORK DATA Full name: Date and Place of Birth: Art Schools visited: Dates, Names of Teachers: Else Meidner 2 September 1901, Berlin 1918 Lützowstrasse Studio of Professor Meyer 1920 Lewin-Funke Studio, Hardenbergstrasse 1923 School of Applied Arts, Prinz Albrecht Strasse 1924 Steinplatz Academy evening course 1925 Lewin-Funke Studio, class of Ludwig Meidner Year of marriage to L. Meidner: 1927 Son David born 1929 (lives in Erez in Israel) Advantages connected with education in art schools: influences on further work: My father (who was …
Friedrich Adler, tutor at the school of applied arts in Hamburg, wrote to my father

– ‚His life was one long journey‘ Discover the life of Jewish artist Jankel Adler

– ‚His life was one long journey‘ Discover the life of Jewish artist Jankel Adler

11 January 1933 My dearest Annerl! What wonderful Christmas gifts you’ve bestowed on me! And so soon after the complete works of Chekhov for my birthday! What can I say? Clifford might be more capable of finding words to express his joy . . . . . . but Etl? He can only sit before this hoard of wonderful, warm, colourful, intimate, elegant things – all chosen by his Annerl – and attempt to suppress the emotion he feels welling up inside him. For an Indian howl of victory might arouse suspicions, and he can’t do somersaults and cartwheels in …
Dr Alfred Adler gives the following as the aim of his individual psychology: that