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‘A government building close to the former Presidential palace at Darulaman, destroyed in fighting between Rabbani and the Hazaras in the early 1990s‘, Simon Norfolk, 2001–2 | Tate

https://www.tate.org.uk/art/artworks/norfolk-a-government-building-close-to-the-former-presidential-palace-at-darulaman-p14331

‘A government building close to the former Presidential palace at Darulaman, destroyed in fighting between Rabbani and the Hazaras in the early 1990s‘, Simon Norfolk, 2001–2
Empty shipping containers are used as storage, wind

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‘Wood engravings and drawings by Charles Keene‘, collection owner: Charles Samuel Keene, 1846–90 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-766/wood-engravings-and-drawings-by-charles-keene?page=3

This collection, which has now been digitised and made available to view online, includes primarily wood engravings, many of which were used to illustrate ‚Punch‘, and other similar publications, such as ‚Once a Week‘, by Charles Keene. These illustrations cover a substantial part of his career, dating from 1861 to 1888. Also available online are a number of preparatory pencil and ink studies that appear to have informed his wood engravings for ‚Punch‘, as well as etchings, including one early design for and illustration printed in Daniel Defoe’s book, ‚The Life and Surprising Adventures of Robinson Crusoe‘, published in 1847.
by appointment Wood engraving titled ‘It’s an ill wind

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 2 August [1934]‘, Edward Renouf, recipient: Anny Schey von Koromla, 2 August [1934] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-67/letter-from-edward-renouf-to-anny-schey-von-koromla

Schwaz 2 August My dear Annerl, The key has arrived. But the manuscripts in question are not in the cabinet. Hanni said (as I was looking for a hat) that when the Herr Baron was here he turned the whole house upside-down and sacked it so thoroughly that she thought he’d never come back. Is it not also possible that he forced the cabinet open and took the manuscripts? Your bank order was executed without any trouble, and they’ve promised to send you a statement right away. Politically the situation here is calm as you like: the farmers are stacking …
the flowers and grasses are swaying gently in the wind

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‘‘Sketchbook, with ‘1952 & 4 & 6’ inside front cover‘, James Boswell, 1952–6‘, James Boswell, 1952–6 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8224-47/boswell-sketchbook-with-1952-4-6-inside-front-cover

Page 1, blank Page 2, view of Brighton seen from the beach inscribed ‚Brighton Oct 24 1952‘ Page 3, boats on the beach inscribed ‚Brighton 24 Oct 1952‘ Page 4, hotel seen from the beach inscribed ‚Brighton Oct 24 ’52‘ Page 5, view of the sea from the beach inscribed ‚Brighton Oct 24 ’52‘ Page 6, view of the beach with several boats inscribed ‚Brighton Oct 24 ’52‘ Page 7, street scene with the sea beyond inscribed ‚Brighton Oct 24 ’52‘ Page 8, study of a church and view of the beach from a street inscribed ‚Brighton Oct 24 ’52‘ …
Sept 9′ Page 22, tall beams attached together as a wind

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‘‘Letter from Erich Kahn to J.P. Hodin‘, Erich Kahn, recipient: Dr J. P. Hodin, 22 January 1961‘, Erich Kahn, recipient: Dr J. P. Hodin, 22 January 1961 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-20062-4-188-23/letter-from-erich-kahn-to-j-p-hodin

[Translation/transcription] 1 Albert Studios 4 Albert Street NW1 EUSTON 6507 22 January 1961 Dear Pepi, I’m sending you here two sheets of commentary on my essay about beauty. Continuation to follow. And if I live, it will be a long continuation (if not quite comparable to J. J. Rousseau’s Confessions). I have been in touch with Dr Loeb – two letters from him, and two from me. A re-recording of my statements would be possible. Unfortunately I don’t have any material other than the prospect of the kindly promised expertise. I hope you’re all well. The Ben Uri is currently …
jokes, which swirl around like leaves in the autumn wind

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 27 July [1934]‘, Edward Renouf, recipient: Anny Schey von Koromla, 27 July [1934] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-66/letter-from-edward-renouf-to-anny-schey-von-koromla

Hügelhof, Pirchanger 437, Schwaz 27 July Dear Annerl! It’s infinitely lovely and homely here! Everything’s almost exactly as it was, and the rooms still smell so fresh, it’s almost as though you were staying here and that I need only wait for a ‘Yoo-hoo!’ as you come home from a walk in the woods. I can hear all the familiar noises outside: the scythes, the chickens, the farmers’ children. It’s strange not hearing your children running around in the garden! Their shouts . . . . . . how fantastic to think of them all grown up and back at …
tail, buried his cold nose in my hands and tried to wind

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