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‘‘Photographic negatives belonging to Vanessa Bell‘, collection owner: Vanessa Bell, 1898–1953‘, collection owner: Vanessa Bell, 1898–1953 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-9020-11/photographic-negatives-belonging-to-vanessa-bell?page=4

Includes photographic negatives, belonging to, and taken by, Vanessa Bell. These negatives, the prints of which can be found within the photograph albums kept by Vanessa Bell (See TGA 9020/1-10), show her with family and friends, including key figures within the Bloomsbury Group such as Duncan Grant, Lytton Strachey and John Maynard Keynes. The images are a mixture of family portraits, nudes and studies, with most photographs taken during carefree moments at Charleston.
a pipe seated outdoors at Blean, near Canterbury, Kent

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‘‘Photograph albums and negatives by Vanessa Bell‘, collection owner: Vanessa Bell, [c.1870–1947]‘, collection owner: Vanessa Bell, [c.1870–1947] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-9020/photograph-albums-and-negatives-by-vanessa-bell?page=6

Available online are a large quantity of photographic negatives belonging to, and taken by, Vanessa Bell from the early twentieth century to the 1950s. Many of the photographs show her family and friends, including key figures within the Bloomsbury Group, both posing for the camera and also during carefree moments at her home, Charleston Farmhouse.
Asheham, Beddingham, Sussex or Blean, near Canterbury, Kent

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‘Personal papers and artwork of Alan Durst‘, collection owner: Alan L. Durst, 1908–70 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-729/personal-papers-and-artwork-of-alan-durst

Alan Durst (1883-1970) was born in Alverstoke, Hampshire, and educated at Marlborough College. He then served in the Royal Marines until 1913, when he began to learn to carve ivory at the London County Council Central School. His interest in carving led him to Chartres where he became enamoured of stone. But the First World War intervened, and for five years he served at sea, and on demobilization became curator of the Watts Museum at Compton, Surrey. In 1920, he returned to London and the Central School, carving in stone and wood, particularly for architectural and decorative purposes. He exhibited …
Francis Oppenheimer, The Gravel Pit, Toy’s Hill, Kent

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‘Personal papers and artwork of Alan Durst‘, collection owner: Alan L. Durst, 1908–70 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-729/personal-papers-and-artwork-of-alan-durst?page=1

Alan Durst (1883-1970) was born in Alverstoke, Hampshire, and educated at Marlborough College. He then served in the Royal Marines until 1913, when he began to learn to carve ivory at the London County Council Central School. His interest in carving led him to Chartres where he became enamoured of stone. But the First World War intervened, and for five years he served at sea, and on demobilization became curator of the Watts Museum at Compton, Surrey. In 1920, he returned to London and the Central School, carving in stone and wood, particularly for architectural and decorative purposes. He exhibited …
Francis Oppenheimer, The Gravel Pit, Toy’s Hill, Kent

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  • International
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