Dein Suchergebnis zum Thema: fish

Items available online are a range of works by Ithell Colquhoun including early watercolours and writings. The collection also includes: correspondence from leading figures in the art world from Man Ray to Lady Ottoline Morrell; records relating to Ithell’s interest in the Occult; and surrealist paintings produced by her students. Also available to view online from this collection is a typescript entitled, ‚Recollection of Kurt Schwitters‘ – an article by Ithell Colquhoun about Schwitters‘ life and her acquaintance with him. Details of the remainder of the collection can be found on the archive catalogue.
.1927–30] View by appointment Coloured print of fish

This series includes artworks created throughout Colquhoun’s career, as well as some examples of juvenilia, art-school and commercial work. There are a small number of finished, signed and titled works, but many have no title or date. The majority of works are in watercolour but there are also pastel drawings, pencil sketches, and (incomplete) collages. There are also some artworks created by children who were taught by Ithell. These can be found at TGA 929/4/8.
.1927–30] View by appointment Coloured print of fish

Available online is the whole of this collection of sketches by Keith Vaughan. This material covers the majority of Vaughan’s life including some of his early advertising work from the 1930s with the last sketch dating from 1976, a year before his death in 1977. Subjects include the male form, landscapes, and drawings of everyday life including some from his time in the Non-Combatant Corps during the Second World War. Details of the remainder of the collection can be found on the archive catalogue.
a nude seated man with a fork for a hand eating a fish

‘Designs and sketches’, collection owner: Alan L. Durst, 1919–60 – part of the digitised collection of the Tate Archive
Durst [1927] View by appointment Design with fish

‘Photographs of Worcestershire’, collection owner: John Piper, [c.1930s–1980s] – part of the digitised collection of the Tate Archive
Piper [c.1930s–1980s] Photograph of a signpost on Fish

This series contains examples of Agar’s artwork including sketches, paintings and drawings. It also includes artworks created by Agar from found objects, one of her preferred working methods. There are several files of source material, including cut-outs and pieces of paper, which were presumably used in collages. In addition, this series includes tracings of rocks at Ploumanach used in Agar’s series of paintings on this theme.
and glass mounted in a metal dish and surrounded by fish

Page 1, inscribed ‚1959‘ Page 2, small girl wearing a first communion dress Page 3, small girl wearing a communion dress standing with her mother, sister and grandmother Page 4, ‚Marseille May 22‘, buildings including a large church around the harbour Page 5, ‚Marseille 22 May‘, harbour with small boats Page 6, woman selling items from a trestle table Page 7, church at the top of a mountain Page 8, two studies of a North African man wearing a cloak and hat Page 9, three young girls standing talking Page 10, view of the Grand Hotel Beauvau Page 11, front, …
profile Page 16, study of a young woman cleaning fish

‘Designs and sketches’, collection owner: Alan L. Durst, 1919–60 – part of the digitised collection of the Tate Archive
Durst [1927] View by appointment Design with fish

This Audio Arts issue, originally published as an audio cassette magazine in 1985, includes comments and reactions from the 2nd the International Contemporary Art Fair in 1985 with contributions from Marisa Cardinale & Dean Savard, Denis Masi, John Hilliard and a report from Nova Scotia College of Art & Design.
Acknowledgement is due to Jane Fish and the Film Archive

Available online are items a range of Eileen Agar’s artworks and writings which shed light on her working methods, including her extensive use of found objects, and her involvement in the Surrealist movement. Artworks which have been digitised include sculptures constructed from found objects and preparatory tracings for her series of paintings of rocks at Ploumanach. Several of Agar’s writings and notebooks, which provide some insight into her life, working methods, and reflections on art, can also be seen online. Details of the remainder of the collection can be found on the Archive catalogue.
and glass mounted in a metal dish and surrounded by fish