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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 13–15 July 1935‘, Edward Renouf, recipient: Anny Schey von Koromla, 13–15 July 1935 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-73/letter-from-edward-renouf-to-anny-schey-von-koromla

Waldfrieden, Winchester, New Hampshire 13 July 1935 Dearest Annerl! I think about you all so very much and I’d love to know where you all are and what you’re doing, what plans you’re making, who your friends are. You wrote to me a long time ago (and not at all since) and said you were reading Schleiermacher and that you’d write to me about it. I’d be interested to hear about it because, besides being interested in everything you do, I’ve been thinking about religion myself recently, reading Hauer and Reventlow on the new German faith, Svoboda’s GESTALTEN DES GLAUBENS …
are doing too – Gretl Wiesenthal, Henriette, the Kaulas, the Weiszens or anyone else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 27 May 1934‘, Edward Renouf, recipient: Anny Schey von Koromla, 27 May 1934 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-65/letter-from-edward-renouf-to-anny-schey-von-koromla

Saturday evening Dearest Annerl! Your second little note has just arrived, and I’m rushing to reply straight away, if only briefly. First, I’m sending that letter to BÖSKE ANTHEIL, 51 East 55th Street, New York City, USA, back to you so that you can write the name in yourself, since both of the Antheils are themselves conspiracists. They’re prone to find intrigue in everything and to worry themselves about it. As for me, I’ve become the embodiment of nervous ambition, the animus that sets the keys of my typewriter in motion, nothing more. It can’t be denied that I have …
the question simply because I can’t leave my work for long enough to find anyone else

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‘‘Working papers relating to artistic, cultural and historic figures‘, collection owner: Dr J. P. Hodin, 1913–90‘, collection owner: Dr J. P. Hodin, 1913–90 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7/hodin-working-papers-relating-to-artistic-cultural-and-historic-figures?page=3

These files contain notes, correspondence, manuscripts and typescripts and source materials for J.P. Hodin’s books, articles and reviews on artists and cultural figures.
106 Objects Marc Chagall 2 Objects Oskar Kokoschka 8 Objects Else

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‘‘Working papers relating to artistic, cultural and historic figures‘, collection owner: Dr J. P. Hodin, 1913–90‘, collection owner: Dr J. P. Hodin, 1913–90 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7/hodin-working-papers-relating-to-artistic-cultural-and-historic-figures?page=5

These files contain notes, correspondence, manuscripts and typescripts and source materials for J.P. Hodin’s books, articles and reviews on artists and cultural figures.
106 Objects Marc Chagall 2 Objects Oskar Kokoschka 8 Objects Else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 9–12 October 1932‘, Edward Renouf, recipient: Anny Schey von Koromla, 9–12 October 1932 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-47/letter-from-edward-renouf-to-anny-schey-von-koromla

New York, 9 October My dearest Annerl! Guess who’s just arrived, fresh from Europe, virtually fresh from our place!? The telephone rings last night; Heinzl goes over, incomprehensible English; he calls me over, incomprehensible German; finally in French: Pommerance! À demain matin, dix heures, American Express Company! So that’s where I’ve been this morning: greeting the beaming schoolboy with a hearty handshake – or should I say greeting the young rascal? For the only schoolboys who are ever this excited and enthusiastic, curious and carefree, so entirely in their element, are either young rascals or schoolboys on holiday. From the …
FEAR, which I’m hoping will be a huge success, even if I haven’t managed anything else

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‘‘Personal papers of Josef Herman‘, collection owner: Josef Herman, [c.1909–2000s]‘, collection owner: Josef Herman, [c.1909–2000s] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-201217/personal-papers-of-josef-herman

Josef Herman (1911–2000) was a Polish artist who spent most of his adult life in Britain. Born in Warsaw to a Yiddish-speaking Jewish family, he initially trained as a typesetter and graphic artist, briefly attending the Warsaw School of Art from 1930 and holding his first exhibition in 1932. During the mid-1930s he co-founded a group of young politically radical artists calling themselves ‘The Phrygian Bonnet’. In 1938, in the face of rising antisemitism, he left Poland for Brussels, attracted there by his interest in Flemish art. Following the German invasion of Belgium, he fled to France and then to …
Psychotherapy-’ by Nini Herman Josef Herman [c.1987] View by appointment ‘Poems by Else

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‘‘Working papers relating to artistic, cultural and historic figures‘, collection owner: Dr J. P. Hodin, 1913–90‘, collection owner: Dr J. P. Hodin, 1913–90 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7/hodin-working-papers-relating-to-artistic-cultural-and-historic-figures?page=4

These files contain notes, correspondence, manuscripts and typescripts and source materials for J.P. Hodin’s books, articles and reviews on artists and cultural figures.
106 Objects Marc Chagall 2 Objects Oskar Kokoschka 8 Objects Else

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  • International
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