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‘‘Letter from Pierre Dubaut to Jacques Lipchitz‘, Pierre-Olivier Dubaut, recipient: Jacques Lipchitz, 6 April 1934‘, Pierre-Olivier Dubaut, recipient: Jacques Lipchitz, 6 April 1934 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-897-1-1-142-9/letter-from-pierre-dubaut-to-jacques-lipchitz

Full text (in translation): ‚Dear Friend, It’s already been two weeks since I left Paris, I haven’t done any work, I spent entire days resting and I can finally see the results. I’m still not in good shape and I can see time passing while I think of a lot of things without being able to appreciate what’s good here! The tranquility, the wilderness and all the steps in between, the absence of noises and the Metro etc. We are going to bed at 10 pm, it is marvelous! But the sea and nature don?t work with me, I could …
Degas at the Museum of the l’Orangerie, but nothing else

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‘‘Oskar Kokoschka‘, collection owner: Dr J. P. Hodin, 1940s–1980s‘, collection owner: Dr J. P. Hodin, 1940s–1980s – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7-105/hodin-oskar-kokoschka

Contains manuscripts, typescripts, notes, photographs, correspondence and source material for J.P. Hodin’s extensive writings on the artist Oskar Kokoschka (1886-1980). Hodin and Kokoschka first met in the early 1930s. The two became close friends and Hodin wrote numerous books and articles and became the leading expert on the life and work of his artist friend.
depth-psychological Study of Oskar Kokoschka’ 8 Objects Else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 31 March 1931‘, Edward Renouf, recipient: Anny Schey von Koromla, 31 March 1931 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-25/letter-from-edward-renouf-to-anny-schey-von-koromla

Bastei 31 March 1931 Dear Annerl! Must I tame my impatience? I’m very aware that you’re not reachable by telephone and that I can’t spend every moment waiting for the side door to open – and yet it’s some comfort to know that you’re in the place that’s best for you – that you’re now [illegible] dozing in the sunshine, content in the sunshine. Hopefully the postman will have brought a letter from you this evening. I haven’t been home since five o’clock. The American came to take me into town today so I could help him with his German …
all-encompassing idea upon which to build everything else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 4–15 December 1932‘, Edward Renouf, recipient: Anny Schey von Koromla, 4–15 December 1932 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-49/letter-from-edward-renouf-to-anny-schey-von-koromla

New York, 4 December 1932 My dearest Annerl! Today I spent a lot of time thinking about how to make our Spanish trip a reality. The hope of taking such a long and unhurried journey through Spain with you is so enticing that I will do everything in my power to make it happen in the spring if at all possible. For the time being I’m working hard, writing more novellas for publication, then I want to start learning Spanish (the Berlitz way), and I’m going to buy myself various books about Spanish history and geography and art. Then, as …
He doesn’t know where else to turn; could I not lend

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‘‘Nína Tryggvadóttir‘, collection owner: Dr J. P. Hodin, 1958–74‘, collection owner: Dr J. P. Hodin, 1958–74 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7-186/hodin-nina-tryggvadottir

Contains material relating to J.P. Hodin’s writings on the Icelandic artist Nina Tryggvadottir (1913-68). There is a typescript of Hodin’s article titled ‚Nina Tryggvadottir‘ (published in ‚Art News‘); two brief letters from Tryggvadottir with a completed artist questionnaire; photographs of works; a press cutting from ‚The Star‘ and a number of exhibition catalogues. There are also two press cuttings relating to the unveiling of a monument in memory of Nina Tryggvadottir with a transcript of a speech given by Al Copley on the occasion and a copy of ‚The American Scandinavian Review‘ featuring an article on the artist.
Chagall 2 Objects Oskar Kokoschka 8 Objects Else

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