Arthur Hughes 1832–1915 | Tate https://www.tate.org.uk/art/artists/arthur-hughes-283
Artist page for Arthur Hughes (1832–1915)
memorial exhibition) in 1916, and the National Museum of Wales
Artist page for Arthur Hughes (1832–1915)
memorial exhibition) in 1916, and the National Museum of Wales
‘Correspondence to and from Cedric Morris‘, collection owner: Sir Cedric Morris, Bt, 1912–80 – part of the digitised collection of the Tate Archive
this relationship, other relationships, his art, Wales
‘Correspondence to and from Cedric Morris‘, collection owner: Sir Cedric Morris, Bt, 1912–80 – part of the digitised collection of the Tate Archive
this relationship, other relationships, his art, Wales
Available online are Armitage’s letters to Moore from soon after they first met in 1938 to the end of the 1950s. For much of this period Armitage taught sculpture at the Bath Academy of Art, following his military service during the Second World War. Armitage began to establish his reputation at this time, holding his first solo show at Gimpel Fils in 1952 and participating in the Venice Biennale in both 1952 and 1958. His letters reflect on his artwork, his teaching and colleagues, and on his relationship with Moore. Details of the remainder of the collection can be found …
Armitage to Joan Moore, addressed Senny Bridge, South Wales
‘Letters from Kenneth Armitage to Joan Moore‘, collection owner: Kenneth Armitage, [c.1938]–1996 – part of the digitised collection of the Tate Archive
Armitage to Joan Moore, addressed Senny Bridge, South Wales
and is a private company registered in England & Wales
Artist page for Richard Cosway (1742–1821)
(‚Principal painter of his most serene Prince of Wales
‘Photographs of London’, collection owner: John Piper, [c.1930s–1980s] – part of the digitised collection of the Tate Archive
Scotland 99 Objects Photographs of places, Wales
‘Designs and sketches’, collection owner: Alan L. Durst, 1919–60 – part of the digitised collection of the Tate Archive
’s plan for positioning font, Llandaff Cathedral, Wales
This collection of Eileen’s Agar’s photographs have all been digitised. Most of the photographs were taken by Eileen Agar and her husband, Joseph Bard on their trips abroad, and around the UK, from the 1930s up until around 1960. Subjects of the photographs include architecture, landscapes, and seaside towns and villages, along with portrait and group photographs of Eileen, Joseph, and their friends, including notable artists and fellow surrealists such as Man Ray, Paul Éluard and Pablo Picasso. Some of the photographs relate to sections of Agar’s autobiography, ‚A look at my life‘ which is noted on the item records …
Eileen Agar 1952–6 Photograph of Tenby sailing club, Wales