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‘The personal papers of Thomas Cooper Gotch (1854-1931) and Henry Scott Tuke (1858-1929)‘, collection owners: Thomas Cooper Gotch, Henry Scott Tuke, [1848]–1998 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-9019/the-personal-papers-of-thomas-cooper-gotch-1854-1931-and-henry-scott-tuke-1858-1929

This collection contains the personal papers of Thomas Cooper Gotch and Henry Scott Tuke which were donated to Tate together by Brian D. Price. Items from both sides of the collection have been digitised and are available to view online. From Tuke’s works, items available online includes: a diary documenting Tuke’s daily life from 1899-1905; two paintings registers compiled by Tuke which provide a record of his paintings, and their exhibitions and sales from 1879-1934, featuring printed images of many of his works; selected sketch books, sketches and scrap books featuring art works made and signed by Henry Scott Tuke; …
Preston, Photographer to the Prince and Princess of Wales, Penzance [c.1872] Mounted

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‘‘Photographs‘, collection owners: Thomas Cooper Gotch, Henry Scott Tuke, [c.1872]–1997‘, collection owners: Thomas Cooper Gotch, Henry Scott Tuke, [c.1872]–1997 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-9019-1-4/gotch-tuke-photographs

Includes photographs, photograph albums and photographic negatives showing Henry Scott Tuke alone and with others, members of the Tuke family, friends and people associated with Tuke. Also includes photographs of boats, Tuke’s house and studio, and his paintings. Where known the name of the photographer has been recorded. Many photographs have been annotated on reverse by the donor, B.D. Price, identifying the sitters, the date of the photograph and with details of acquisition. Unless otherwise stated it is assumed that the annotations are by B.D. Price.
Preston, Photographer to the Prince and Princess of Wales, Penzance [c.1872] Mounted

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‘‘Photographs‘, collection owners: Thomas Cooper Gotch, Henry Scott Tuke, [c.1872]–1997‘, collection owners: Thomas Cooper Gotch, Henry Scott Tuke, [c.1872]–1997 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-9019-1-4/gotch-tuke-photographs?page=1

Includes photographs, photograph albums and photographic negatives showing Henry Scott Tuke alone and with others, members of the Tuke family, friends and people associated with Tuke. Also includes photographs of boats, Tuke’s house and studio, and his paintings. Where known the name of the photographer has been recorded. Many photographs have been annotated on reverse by the donor, B.D. Price, identifying the sitters, the date of the photograph and with details of acquisition. Unless otherwise stated it is assumed that the annotations are by B.D. Price.
Preston, Photographer to the Prince and Princess of Wales, Penzance [c.1872] Mounted

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  • International
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‘The personal papers of Thomas Cooper Gotch (1854-1931) and Henry Scott Tuke (1858-1929)‘, collection owners: Thomas Cooper Gotch, Henry Scott Tuke, [1848]–1998 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-9019/the-personal-papers-of-thomas-cooper-gotch-1854-1931-and-henry-scott-tuke-1858-1929?page=1

This collection contains the personal papers of Thomas Cooper Gotch and Henry Scott Tuke which were donated to Tate together by Brian D. Price. Items from both sides of the collection have been digitised and are available to view online. From Tuke’s works, items available online includes: a diary documenting Tuke’s daily life from 1899-1905; two paintings registers compiled by Tuke which provide a record of his paintings, and their exhibitions and sales from 1879-1934, featuring printed images of many of his works; selected sketch books, sketches and scrap books featuring art works made and signed by Henry Scott Tuke; …
Preston, Photographer to the Prince and Princess of Wales, Penzance [c.1872] Mounted

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‘Personal papers and artwork of Alan Durst‘, collection owner: Alan L. Durst, 1908–70 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-729/personal-papers-and-artwork-of-alan-durst?page=5

Alan Durst (1883-1970) was born in Alverstoke, Hampshire, and educated at Marlborough College. He then served in the Royal Marines until 1913, when he began to learn to carve ivory at the London County Council Central School. His interest in carving led him to Chartres where he became enamoured of stone. But the First World War intervened, and for five years he served at sea, and on demobilization became curator of the Watts Museum at Compton, Surrey. In 1920, he returned to London and the Central School, carving in stone and wood, particularly for architectural and decorative purposes. He exhibited …
View by appointment Architect’s plan for positioning font, Llandaff Cathedral, Wales

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Land art | Tate

https://www.tate.org.uk/art/art-terms/land-art

Tate glossary definition for land art: Land art is made directly in the landscape, sculpting it into earthworks or making structures using natural materials found in the landscape such as rocks or twigs
In 1969 they took an important journey through England and Wales visiting sites that

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Land art | Tate

https://www.tate.org.uk/art/art-terms/l/land-art

Tate glossary definition for land art: Land art is made directly in the landscape, sculpting it into earthworks or making structures using natural materials found in the landscape such as rocks or twigs
In 1969 they took an important journey through England and Wales visiting sites that

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  • International
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