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‘Photographs of County Durham’, collection owner: John Piper, [c.1930s–1980s] – part of the digitised collection of the Tate Archive
Objects Photographs of places, Scotland 99 Objects Photographs of places, Wales
‘Photographs of Yorkshire’, collection owner: John Piper, [c.1930s–1980s] – part of the digitised collection of the Tate Archive
Objects Photographs of places, Scotland 99 Objects Photographs of places, Wales
‘Photographs of London’, collection owner: John Piper, [c.1930s–1980s] – part of the digitised collection of the Tate Archive
Objects Photographs of places, Scotland 99 Objects Photographs of places, Wales
‘Photographs of Herefordshire’, collection owner: John Piper, [c.1930s–1980s] – part of the digitised collection of the Tate Archive
Objects Photographs of places, Scotland 99 Objects Photographs of places, Wales
This collection of Eileen’s Agar’s photographs have all been digitised. Most of the photographs were taken by Eileen Agar and her husband, Joseph Bard on their trips abroad, and around the UK, from the 1930s up until around 1960. Subjects of the photographs include architecture, landscapes, and seaside towns and villages, along with portrait and group photographs of Eileen, Joseph, and their friends, including notable artists and fellow surrealists such as Man Ray, Paul Éluard and Pablo Picasso. Some of the photographs relate to sections of Agar’s autobiography, ‚A look at my life‘ which is noted on the item records …
through a village in Tenerife Eileen Agar 1952–6 Photograph of Tenby sailing club, Wales
Artist page for Richard Cosway (1742–1821)
Serenissimi Walliae Principis (‚Principal painter of his most serene Prince of Wales
‘Designs and sketches’, collection owner: Alan L. Durst, 1919–60 – part of the digitised collection of the Tate Archive
View by appointment Architect’s plan for positioning font, Llandaff Cathedral, Wales
which is Tate’s trading division and is a private company registered in England & Wales
This sub-fonds contains two diaries kept by Henry Scott Tuke, his paintings registers and papers relating to the sale of his art works, sketch books and artworks, photographs, correspondence by and to Henry Scott Tuke, artists‘ materials; interviews with people who knew Tuke recorded in the 1960s, and miscellaneous personal papers, exhibition catalogues and press cuttings. The sub-fonds also contains transcripts of and indexes for Tuke’s diaries and the paintings registers produced by the donor B.D. Price.
Preston, Photographer to the Prince and Princess of Wales, Penzance [c.1872] Mounted
This sub-fonds contains two diaries kept by Henry Scott Tuke, his paintings registers and papers relating to the sale of his art works, sketch books and artworks, photographs, correspondence by and to Henry Scott Tuke, artists‘ materials; interviews with people who knew Tuke recorded in the 1960s, and miscellaneous personal papers, exhibition catalogues and press cuttings. The sub-fonds also contains transcripts of and indexes for Tuke’s diaries and the paintings registers produced by the donor B.D. Price.
Preston, Photographer to the Prince and Princess of Wales, Penzance [c.1872] Mounted
