‘Model for a Felt Environment‘, Joseph Beuys, 1964 | Tate https://www.tate.org.uk/art/artworks/beuys-model-for-a-felt-environment-ar00619
‘Model for a Felt Environment‘, Joseph Beuys, 1964
Dein Suchergebnis zum Thema: Model
‘Model for Sculpture: The South Wind‘, Eric Gill, 1929 | Tate https://www.tate.org.uk/art/artworks/eric-model-for-sculpture-the-south-wind-t06997
‘Model for Sculpture: The South Wind‘, Eric Gill, 1929
‘‘Short story titled ‘The Applicant’‘, Ithell Colquhoun‘, Ithell Colquhoun – Tate Archive | Tate https://www.tate.org.uk/art/archive/items/tga-929-2-1-2-1/colquhoun-short-story-titled-the-applicant
The short story was earlier called ‚The Model‚
‘The Applicant’ Date Description The short story was earlier called ‚The Model
‘Living Room in a Model Home‘, Lynne Cohen, c.1987 | Tate https://www.tate.org.uk/art/artworks/cohen-living-room-in-a-model-home-p14442
‘Living Room in a Model Home‘, Lynne Cohen, c.1987
Henry Moore 3D model: Recumbent Figure (1938) | Tate https://www.tate.org.uk/about-us/projects/henry-moore-3d-model-recumbent-figure-1938
A digital 3D examination of Henry Moore’s large stone Recumbent Figure 1938.
PRIVATE TOURS Search this site Become a Member Project Henry Moore 3D model
‘Model posing, Blythe Road, London‘, Raphael Albert, late 1970s, printed 2012 | Tate https://www.tate.org.uk/art/artworks/albert-model-posing-blythe-road-london-p14365
‘Model posing, Blythe Road, London‘, Raphael Albert, late 1970s, printed 2012
‘‘Letter from Paul Nash to Eileen Agar‘, Paul Nash, recipient: Eileen Agar, [1941]‘, Paul Nash, recipient: Eileen Agar, [1941] – Tate Archive | Tate https://www.tate.org.uk/art/archive/items/tga-8712-1-46/letter-from-paul-nash-to-eileen-agar
Regarding floors and veneers for a model
to Eileen Agar Date [1941] Description Regarding floors and veneers for a model
‘‘Set 4 – Sculptures related to 1935 trip to the USSR‘, collection owner: Jacques Lipchitz, 1934–6‘, collection owner: Jacques Lipchitz, 1934–6 – Tate Archive | Tate https://www.tate.org.uk/art/archive/tga-897-7-1-4/lipchitz-set-4-sculptures-related-to-1935-trip-to-the-ussr
transparency of the ‚Portrait of Dzerzhinsky‘ sculpture (1936) -2 prints of the model – /Joie de vivre dans un monde nouveau‘ sculpture (1936) -6 transparencies of the model – world/Joie de vivre dans un monde nouveau‘ sculpture (1936) -1 transparency of the model
transparency of the ‚Portrait of Dzerzhinsky‘ sculpture (1936) -2 prints of the model
‘‘Photograph of Harry Quashi, nude‘, John Banting, [1930s]‘, John Banting, [1930s] – Tate Archive | Tate https://www.tate.org.uk/art/archive/items/tga-779-8-144/banting-photograph-of-harry-quashi-nude
Harry Quashi was a model used by Duncan Grant.
and white photograph Dimensions 188 × 144 mm Description Harry Quashi was a model
‘‘Photograph of Harry Quashi, nude‘, John Banting, [1930s]‘, John Banting, [1930s] – Tate Archive | Tate https://www.tate.org.uk/art/archive/items/tga-779-8-143/banting-photograph-of-harry-quashi-nude
Harry Quashi was a model used by Duncan Grant.
and white photograph Dimensions 215 × 165 mm Description Harry Quashi was a model