Harry Quashi was a model used by Duncan Grant.
and white photograph Dimensions 188 × 144 mm Description Harry Quashi was a model
The letter mentions finding a beautiful model to paint.
[August–September 1887] Description The letter mentions finding a beautiful model
transparency of the ‚Portrait of Dzerzhinsky‘ sculpture (1936) -2 prints of the model – /Joie de vivre dans un monde nouveau‘ sculpture (1936) -6 transparencies of the model – world/Joie de vivre dans un monde nouveau‘ sculpture (1936) -1 transparency of the model
transparency of the ‚Portrait of Dzerzhinsky‘ sculpture (1936) -2 prints of the model
The model for the painting was Tom White. Photographer unknown.
.1917] Medium Black and white print Dimensions 89 × 80 mm Description The model
Lipchitz informs ‚conceilleur technique‘ that his model of the statue ‚L’Esprit de – Mr Leveille asked Lipchitz to show the model to Mr Laugier who was not present at – Lipchitz has also shown the model to the director, Jean Perrin, also absent of the
November 1936 Description Lipchitz informs ‚conceilleur technique‘ that his model
A digital 3D examination of Henry Moore’s large stone Recumbent Figure 1938.
PRIVATE TOURS Search this site Become a Member Project Henry Moore 3D model
Tate glossary definition for maquette: A model for a larger piece of sculpture
PRIVATE TOURS Search this site Become a Member Art Term Maquette A maquette is model
Harry Quashi was a model used by Duncan Grant.
Harry Quashi was a model used by Duncan Grant.
on 28 November 1936 the art council of ‚Vsekokudozhniki‘ reviewed the sculptural model – request, the art council, with the participation of other experts, reviewed the model
on 28 November 1936 the art council of ‚Vsekokudozhniki‘ reviewed the sculptural model
‘Model for ‘Eros’ on the Shaftesbury Memorial, Piccadilly Circus‘, Sir Alfred Gilbert
