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‘Audio Arts: Published supplement ‘Art Projects Beyond The Gallery’‘, Audio Arts, 1989 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200414-7-3-2-47/audio-arts-published-supplement-art-projects-beyond-the-gallery

This Audio Arts supplement, originally published as an audio cassette magazine in 1989, features Art Projects Beyond the Gallery, includes contributions from Sandy Nairne, James Lingwood, Jan Hoet, Kasper Konig and Sutapa Biswas.
Beyond the gallery, Part 2, Side B – Saskia Bos, Jean De Loisy, Deanna Pethabridge

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‘‘Personal and professional papers of Jacques Lipchitz‘, collection owner: Jacques Lipchitz, 1910–73‘, collection owner: Jacques Lipchitz, 1910–73 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-897/personal-and-professional-papers-of-jacques-lipchitz?page=1

Jacques Lipchitz (22 August 1891-26 May 1973) was a French-American sculptor of the Cubist style. He was born to a Jewish family in Druskieniki, present day Lithuania, then a part of the Russian Empire. In 1909 he moved to Paris to study sculpture and, with some short gaps, stayed there until his emmigration to the USA in 1942. Lipchitz retained highly figurative and legible components in his work leading up to 1915-16, after which naturalist and descriptive elements were muted, and dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg’s …
[1922–30] View by appointment Letter from Jeanne Bucher to Jacques Lipchitz Jean

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‘‘Personal and professional papers of Jacques Lipchitz‘, collection owner: Jacques Lipchitz, 1910–73‘, collection owner: Jacques Lipchitz, 1910–73 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-897/personal-and-professional-papers-of-jacques-lipchitz

Jacques Lipchitz (22 August 1891-26 May 1973) was a French-American sculptor of the Cubist style. He was born to a Jewish family in Druskieniki, present day Lithuania, then a part of the Russian Empire. In 1909 he moved to Paris to study sculpture and, with some short gaps, stayed there until his emmigration to the USA in 1942. Lipchitz retained highly figurative and legible components in his work leading up to 1915-16, after which naturalist and descriptive elements were muted, and dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg’s …
[1922–30] View by appointment Letter from Jeanne Bucher to Jacques Lipchitz Jean

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  • International
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