Blind Time IV (Drawing with Davidson) by Robert Morris https://www.nga.gov/artworks/133727-blind-time-iv-drawing-davidson
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At the age of nineteen, Théodore Gericault entered the Parisian studio of Pierre-Narcisse Guérin, a successful follower of Jacques-Louis David. In Guérin’s studio the young Gericault would have refined his skills by drawing from antique statues and casts in the Louvre and then after the live model as a preliminary to full-scale works.
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„The eye must grasp, bring things together,“ Cézanne said, „The brain will give it shape.“ In a still life, where the artist also creates the world he paints, each object, each placement, each viewpoint represents a decision. Cézanne painted and repainted the objects pictured here many times.
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In 1648 a contemporary writer noted that Willem Claesz Heda was a specialist in breakfast and banquet still lifes, painting „fruit, and all kinds of knick-knacks.“ At first sight, Heda’s largest known still-life painting appears to welcome the viewer to a sumptuous feast. Yet pewter plates teeter precariously over the table’s edge, while a translucent goblet and a silver tazza have toppled over, indicating that the feast has already been enjoyed.
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