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The Thinker (Le Penseur) by Auguste Rodin

https://www.nga.gov/artworks/1005-thinker-le-penseur

The Thinker was originally conceived not in heroic isolation, but as part of Rodin’s monumental Gates of Hell —a pair of bronze doors intended for a museum of decorative arts in Paris. Although the doors were never cast during the sculptor’s lifetime, they nevertheless provided Rodin a rich source of ideas for individual figures and groups that he worked and reworked for the rest of his career.
Vienna, 1953: 27-28. 1963 Elsen, Albert E. Rodin. New York, 1963: 52-54.

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The Kiss (Le Baiser) by Auguste Rodin

https://www.nga.gov/artworks/1008-kiss-le-baiser

Nineteenth-century viewers and critics were immediately taken with Rodin’s three-dimensional group, entitled Paolo and Francesca , the passionate lovers from the fifth canto of Dante’s Inferno . When one enthusiastic critic referred to it as The Kiss , the new title stuck, and the association with Dante’s ill-fated lovers gave way to a more contemporary, universal response to their passionate embrace.
London, 1959: 224-226. 1963 Elsen, Albert E. Rodin.

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Winter Valley by Lamar Dodd

https://www.nga.gov/artworks/52399-winter-valley

Never associated with any specific art movement, Lamar Dodd was a southern painter who worked in various styles throughout his long career. This depiction of Athens, where Dodd lived and taught at the University of Georgia, was influenced by the urban realism of the Ashcan school as well as the regionalist movements of the 1930s.
Athens 2, no. 4 (Fall 1970): 23, repro. 1971 Elsen, Patricia, ed.

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