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Early American Painting | National Gallery of Art

https://www.nga.gov/artworks/early-american-painting

Early American art includes works made by settlers in what we now know as the United States. Before the American Revolution, artists documented life in the colonies of New Spain and New England. And in the early decades of the United States, many artists represented the new nation through portraits of its early leaders.
Madison Gilbert Stuart c. 1821 Gilbert Stuart, James Madison, c. 1821, oil

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Approach to Venice by Joseph Mallord William Turner

https://www.nga.gov/artworks/117-approach-venice

When Approach to Venice was first exhibited in 1844, Joseph Mallord William Turner quoted Lord Byron in the catalog description: “The moon is up, and yet it is not night / The sun as yet disputes the day with her.” In Turner’s colorful view of Venice, a full moon shares the sky with the setting sun as a flotilla of barges and gondolas makes its way across the lagoon.
Agnew & Sons, London); sold 1863 to James Fallows, who exchanged it later that year

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The Fire Boss by George Luks

https://www.nga.gov/artworks/42925-fire-boss

Painted during a period of labor unrest in 1925, The Fire Boss was intended as a life-size personification of a profession rather than a portrait of a specific individual. Despite his downcast, bedraggled appearance, the miner exudes defiance and inner resolve.
Luks always had an emotional bond with the area and regarded it as his home.

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Seashore with Fishermen by Thomas Gainsborough

https://www.nga.gov/artworks/52265-seashore-fishermen

Gainsborough’s landscapes are highly personal statements that evolved from ideas and images he developed in his studio, either directly on canvas or in scale models. In this work he focused on the physical exertions of fishermen as they confront strong winds and pounding surf.
1970 to NGA. [1] The Farington Diary, \c by Joseph Farington, R.A. [1747-1821], James

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Lorenzo de‘ Medici by Florentine 16th Century

https://www.nga.gov/artworks/12189-lorenzo-de-medici

Lorenzo de‘ Medici, the brilliant, learned, and ruthless head of a wealthy banking family, ruled the Italian city-state of Florence in the Renaissance. This bust may copy a wax statue made to commemorate Lorenzo’s survival in 1478, when an assassination plot took the life of his younger brother.
, Over-Stowey, Somersetshire, by 1862; by inheritance to his son-in-law, Edward James

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