Mia’s 2021 Holiday Gift Guide –– Minneapolis Institute of Art https://new.artsmia.org/stories/mias-2021-holiday-gift-guide
2021 Holiday Gift Guide November 18, 2021This year, with
Dein Suchergebnis zum Thema: with
Checkmate! What a visitor noticed, prompting a new setup of the Charleston Drawing Room chessboard –– Minneapolis Institute of Art https://new.artsmia.org/stories/checkmate-what-a-visitor-noticed-prompting-a-new-setup-of-the-charleston-drawing-room-chessboard/
installed in 1931 and set up in 18th-century fashion—with
Science is for lovers: Why the planet needs scientists and passionate amateurs to work together –– Minneapolis Institute of Art https://new.artsmia.org/stories/science-is-for-lovers-why-the-planet-needs-scientists-and-passionate-amateurs-to-work-together
project, a push to invigorate these beloved spaces with
How unspeakable tragedy inspired the art of “The Nazi Drawings” –– Minneapolis Institute of Art https://new.artsmia.org/stories/how-unspeakable-tragedy-inspired-the-art-of-the-nazi-drawings
Viewers were reckoning in real time with crimes that
Justice Jensvold –– Minneapolis Institute of Art https://new.artsmia.org/art-artists/curatorial-departments/department-of-global-contemporary-art/justice-jensvold
provided the opportunity to learn in partnership with
Building the Collection –– Minneapolis Institute of Art https://new.artsmia.org/art-artists/managing-mias-collection/building-the-collection/
collection are sacred and will work, when possible, with
Painting Blind Man’s Buff –– Minneapolis Institute of Art https://new.artsmia.org/restoring-a-masterwork-iii-max-beckmanns-blind-mans-buff/the-painting/
and his dog Butschy in front of Blind Man’s Buff with
Who is an American? Here’s one way museums can ask—and answer. –– Minneapolis Institute of Art https://new.artsmia.org/stories/who-is-an-american-heres-one-way-museums-can-ask-and-answer
reinstalled the Charleston Dining and Drawing Rooms with
Jan Groth’s Linear Tapestries –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/jan-groths-linear-tapestries
April 14, 2018 – December 2, 2018 | Gallery 235 | Free Exhibition Jan Groth describes the forces that guide his work as “silence and light” and “the balance between almost something and almost nothing.” The Norwegian artist gravitated first to drawing, using soft chalk to reveal the subtle grain of smooth paper. But when he joined a tapestry workshop led by Benedikte Herlufsdatter, he was captivated by the texture of tapestry and the gridded restrictions of warp and weft
Groth Norwegian, born 1938 Executed in collaboration with