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Beneath the Ground –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/america-beneath-the-soil

June 12, 2014 – October 26, 2014 | Museum-wide | Free Exhibition What’s beneath our feet—and the museum? Monica Haller, the MIA’s current artist-in-residence, became curious about these questions when her father removed piles of soil from a family property near Albertville several years ago. That gesture was the starting point for intriguing discussions about soil, and digging down into it, to discover geological and sociological histories
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In Dialogue with the Forest: Barkcloth Paintings from Congo –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/in-dialogue-with-the-forest-barkcloth-paintings-from-congo

February 16, 2019 – November 3, 2019 | Gallery 255 | Free Exhibition To make barkcloth, a traditional form of clothing, Mbuti men collect pieces of the inner bark of fig trees, and pound them until they are thin and pliable. Mbuti women decorate the surfaces with intricate designs, using twigs and their fingers to apply dyes made from plant saps and charcoal powder
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It's New / It's Now: Recent Gifts of Contemporary Prints and Drawings –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/its-new-its-now-recent-gifts-of-contemporary-prints-and-drawings-2

July 14, 2013 – September 1, 2013 | Target Gallery (admission charged) | Ticketed Exhibition Visit the exhibition homepage » See iconic, eye-catching works by bold-faced names in the contemporary art world. Ranging in date from the 1960s to the present, this exhibition showcases more than 90 original works on paper. The selection will include important works by Josef Albers, Francis Bacon, Lee Bontecou, Louise Bourgeois, Francesco Clemente, Chuck Close, Jim Dine, Sam Francis, Helen Frankenthaler, Philip Guston, David Hockney, Howard Hodgkin, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Joan Mitchell, Robert Motherwell, Elizabeth Murray, John Newman, Gerhard Richter, James Rosenquist, Susan Rothenberg, Sean Scully, Richard Serra, Lorna Simpson, Kiki Smith, Frank Stella, Terry Winters, and others. Many of the editioned prints on view were produced in collaboration with nationally prominent print workshops and publishers, such as Universal Limited Art Editions; Gemini G.E.L.; Crown Point Press; Tyler Graphics; Pace Editions; Brooke Alexander Editions; and the Lower East Side Print Shop. Selected works are donations from individuals, businesses, and foundations, given to the MIA since 2007
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Embroidering an Ordered Cosmos: Chinese Daoist Priest Garments of the Qing Dynasty (1644 – 1911) –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/embroidering-an-ordered-cosmos-chinese-daoist-priest-garments-of-the-qing-dynasty-1644-1911

December 12, 2016 – September 3, 2017 | Gallery 218 | Free Exhibition Daoist belief emphasizes an ordered cosmos, harmonious existence with nature, and heavenly paradise. Together with Confucianism and Buddhism, it is one of China’s three major belief systems
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Marks of Genius: 100 Extraordinary Drawings from the Minneapolis Institute of Art –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/master-drawings-from-the-minneapolis-institute-of-arts

July 13, 2014 – September 21, 2014 | Target Galleries | Ticketed Exhibition This exhibition celebrates the MIA’s superb drawing collection, featuring 100 outstanding drawings, watercolors, and pastels spanning more than 500 years—many of them rarely exhibited, owing to their sensitivity to light. The exhibition highlights the immediacy of drawing and explores its multiple roles as a means of study, observation, problem solving, a record of the artist’s imagination, and a medium for creating finished works of art
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Chris Willcox and Mark Ostapchuk –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/maep-standardsmark-ostapchuk-and-90-southchris-willcox

January 20, 2012 – April 1, 2012 | MAEP Galleries | Free Exhibition 90º South: Chris Willcox Chris Willcox, who teaches painting at Macalester College in St. Paul, first became interested in the history of Antarctica after reading about the Antarctic Treaty of 1961, in which the continent was set aside as a scientific preserve
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31 Years: Gifts from Martin Weinstein –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/31-years-gifts-from-martin-weinstein

November 2, 2013 – August 31, 2014 | Harrison Photography Gallery | Free Exhibition Martin Weinstein, Minneapolis, Minnesota Alec William Soth (United States, North America), 2003 Archival pigment print 32 x 40 in. (81.28 x 101.6 cm) (image, sheet) Gift of Martin Weinstein 2013.42.1 © Alec Soth   Martin Weinstein, a former trial attorney turned photography connoisseur, has given more than 500 photographs to the MIA, in addition to numerous prints, paintings, and sculptures
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Finally, We Are All Young Again: Adam Caillier and Michael Mott and Movie: Scott Nedrelow –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/finally-we-are-all-young-again-adam-caillier-and-michael-mott-and-movie-scott-nedrelow

July 22, 2011 – October 2, 2011 | MAEP Galleries | Free Exhibition „Finally, We Are All Young Again“ is a multiple-media exhibition of works by Adam Caillier and Michael Mott. In their collaborative studio practice, the artists create written, photographic, and sculptural works, „fussing,“ they say, with ideas about rehearsal, creative production, and strategies of display. The exhibition includes a 3-D library where images of books cover bookshelves, each binding printed with an alternate title to the exhibition and to the works within it
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Excavating the Future City: Photographs by Naoya Hatakeyama –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/excavating-the-future-city-photographs-by-naoya-hatakeyama

March 4, 2018 – July 22, 2018 | Harrison Photography Gallery | Free Exhibition Whether photographing limestone quarried by explosive blasts, the evolution of a city from a bird’s-eye-view, or recovery and reconstruction efforts of the artist’s tsunami-swept hometown in northeastern Japan, Naoya Hatakeyama’s photographic explorations have consistently traced the ways that human intervention alters nature and transforms it into the built environment. Each keenly composed image captures phases of creation, change, and destruction over time in Japan’s contemporary topographies
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